Tom Robbins Quotes

In the end, we should simply imagine a joke; a long joke that's being continually retold in an accent too thick and too strange to ever be completely understood. Life is that joke. The soul is its punchline.

On the poor use of grammar It's a matter of usage. If a house is off-plumb and rickety and lets in the wind, you blame the mason, not the bricks. Our words are up to the job. It's our syntax that's limiting.

There's birth, there's death, and in between there's maintenance.

Nostalgia's nice enough in little bitty doses, it puts personal peach fuzz on the hard ass of history.

People of zee wurl, Relax!

You can love ‘em till your well runs dry, Belford, but you can never love ‘em enough, and you know it. No matter how much others might love you, you can’t love yourself unless you’re in charge of your own actions, and you’ll never take charge as long as you can get away with blaming your shortcomings and misfortunes on your family or society or your race or gender or Satan or whatever…

I’m acquainted with a, uh, gentleman who claims that the extent to which a society focuses on the needs of its lowest common denominator is the extent to which that society’ll be mired in mediocrity. Whereas, if we would aim the bulk of our support at the brightest, most talented, most virtuous instead, then they would have the wherewithal to solve a lot of our problems, to uplift the whole culture, enlighten it or something, so that eventually there wouldn’t be so many losers and weaklings impeding evolution and dragging the whole species down. He claims that martyrs like you just perpetuate human misery by catering to it. He believes individuals have to take responsibility for their own lives and accept the consequences of their choices.

All Uncle Larry is saying is that individuals have to accept responsibility for their own bad choices. If every time we choose a turd, society, at great expense, simply allows us to redeem it for a pepperoni, then not only will we never learn to make smart choices, we will also surrender the freedom to choose, because a choice without consequences is no choice at all. Maybe it boils down to the premium we want to place on liberty.

Your friend insults the homeless by giving them no credit for having made the decisions that shaped their lives, and demeans them further by declaring them powerless to alter their situations. There’re many ways, my dear, to victimize people. The most insidious way is to persuade them that they’re victims.

So this, then, is the chamber of the hootchy-kootch. Its bathtub full of orchids. Its closet full of smoke.

In this room, the salamander was squashed between the pages of the rhyming dictionary, thereby changing poetry forever. Here, Salome walked around with a big red fish held high up over her head. Old Father spanked her with a ballet slipper, sending her to bed without milk or honey. Dance was changed in this room, too.

There are landscapes in which we feel above us not sky but space. Something larger, deeper than sky is sensed, is seen, although in such settings the sky is invariably immense. There is a place between the cerebrum and the stars where sky stops and space commenses, and should we find ourselves on a particular prairie or mountaintop at a particular hour [...] our relationship with sky thins and loosens while our connection with space becomes as solid as bone.

...that she was the one who'd made friends with the Snake, that she'd let it lick the blood of her first menstruation, that she … ooo eee, that she … ooo eee, that she … ooo, eee, that she now knew what the Serpent knew.

There's no such thing as security in this life, sweetheart; and the sooner you accept that fact, the better off you'll be. The person who strives for security will never be free. The person who believes that she's found security will never reach paradise. What she mistakes for security is purgatory. You know what purgatory is, Gwendolyn? It's the waiting room, it's the lobby. Not only does she have the wrong libretto, she's stuck in the lobby where she can't see the show.

Night, when tangos play on the nurse's radio and rat poison sings its own hot song behind the cellar door. Night, when the long snake feeds, when the black sedan cruises the pleasure districts, when neon flickers "Free at Last" in a dozen lost languages, and shapes left over from childhood move furtively behind the moon-dizzy boughs of the fir.