Victor Villaseñor Quotes

Lo cortés no quita lo valiante, y lo valiante no quita lo cortés.” This I’d also heard for as long as I could remember, and it was one of our oldest Mexican dichos, sayings, and what it said was that manners didn’t take away bravery, and that bravery didn’t diminish manners.

Because the most important thing any man can do in all his life is pick the right woman to breed with—I mean, marry first, then breed, because from the woman comes the—” “—comes the instinct to survive,” I said, having heard this for as long as I could remember. “Good,” said mi papa,

So, keep your powder dry and dig in for a long, fruitful life of being a writer, that storyteller around the campfire of your people and your generation. Your trade is as old as time, and your main job is to uplift the human heart so that then we can go on with dignity and fair play. That’s it

No, teaching could be done as fast as a lightning bolt. He’d cut across the valleys of my deepest doubts, giving light to the darkest crevices of my beaten-down, inhibited mind, accessing a natural storytelling ability within me that was utterly profound!

It was still very hard for me to sometimes know where my Catholic–Christian upbringing stopped and my grandmother’s Indian teachings began. For me it was all like one big river running together with all these different waters.

Dog, cats, horses, all animals could do this at will much easier than us humans, Rosa and her husband Emilio, had explained to me, because animals were much closer to God than we humans were.

I still wanted to tell our teacher about how the Indian people who’d worked on the ranch for us had explained to me that Shep, who’d always loved my brother more than life itself, had disappeared, because he’d run off to the highest hilltop to intercept my brother’s soul so he could lead my brother’s soul back to heaven.

the Indians, were like the weeds. That roses you had to water and give fertilizer or they’d die. But weeds, indigenous plants, you gave them nada-nothing; hell, you even poisoned them and put concrete over them, and those weeds would still break the concrete, reaching for the sunlight of God. “That’s the power of our people,” my father would tell me, “we’re the weeds, LAS YERBAS DE TODO EL MUNDO!”

It was truly a good thing that I’d found writing as my outlet or I was sure I would have become a mass murderer, killing all those heartless, racist teachers who’d beat us Mexican kids down since kindergarten

A whole bunch of people towards the back of the room were now getting up to leave. But these teachers were not going to intimidate me. I wasn’t my father’s and mother’s son for nada-nothing. I wasn’t my two indigenous grandmothers’ grandson for nada-nothing either. I came from a long line of people…who’d lived through starvation, revolutions, and massacre. “AND YOU!” I yelled into the microphone. “Over there in the back…who are getting up to leave…I’M GLAD THAT YOU’RE LEAVING!

My grandmother—God bless her soul—a Yaqui Indian from northern Mexico, was the greatest teacher I'd ever had! And do you know what she taught me, she taught me that each and every day is un milagro given to us by God, and that work, that planting corn and squash with our two hands is holy. She taught me all this with kindness and invitation. Not with ridicule and looking down her nose at me and making me feel like less than human when I didn't get it at first.

I was TORTURED by teachers! You hear me, TORTURED!” I yelled, jerking the whole podium off the floor. “Hell, I flunked the third grade twice because—BECAUSE—” I was crying so hard that I had to wipe the tears out of my eyes with the back of my hand, but this wasn’t going to stop me. I was all guts up front now. I was in that smooth-feeling, all-true place that I got into when I’d go to my room and start writing each morning before daybreak…with all my heart and soul.

All I knew was that I’d flunked the third grade twice because I couldn’t learn to read, had a terrible time all through grammar school and high school. Then after ten years of writing, I was finally able to sell my first book to a leading mass-market paperback publisher in New York .

Then I was almost thirty years old when I wrote Macho!, and finally got published after 265 rejections. Immediately, I returned to this book you’re reading, thinking I could now pull it off, but I was wrong.

I began to get up at two or three in the morning and work for twelve to fifteen hours a day. I’d get so emotionally drained by the writing, that I’d feel sick at the end of the day. My family became worried about me and they invited a friend, who was a writer in Los Angeles, to see me. He told me that he’d heard how serious I was about my writing, so he was willing to take a little time off of his busy schedule to glance at my work. I gave him the latest version of my manuscript. He took it home and came back to see me the following week. His face was long. He told me that he was sorry to say this but, as a family friend, he had the obligation to be truthful, so he’d tell me straight out that I had no talent. The book was terrible. And also, I was trying to write way beyond my mental capabilities.