Vivek Agnihotri Quotes

Sadly, Bollywood doesn’t invest in R&D. That’s why most of our films have no insights to offer. As a result, small, independent films have become the R&D lab for the Indian film industry. These films have to do an extraordinary research, for their only strength is transporting the audience to another universe, where they can feel and relate with the characters, their concerns, and their behaviour. In the mainstream films, the world is unreal, devoid of any real human concern, and the characters are like caricatures. Hence, this kind of cinema ends up becoming ‘Escapist Cinema’. Like a circus.

I open the newspapers but there is no news about the sabotage. It would have been national news backed up with protests if I were a Dalit or a Muslim or a Leftist or a liberal. Indian media, especially the metro-based English media, is the most dishonest institution of India. They are always in a hurry, their questions are statements, they have no courtesy, they are arrogant, rude and humiliating. They are always running late for something and, therefore, have no concentration. I am not talking about those hundreds and thousands of hard-working young girls and boys who are running from one breaking news to another. I am talking about those who instruct them to twist the news. Or who twist it themselves to further their or someone else’s agenda. And it’s no rocket science to understand the design of this parallel politics. They have become victims of their own agenda. For the last 70 years, English media has loved to paint any rightist organization, especially RSS, as regressive, uncivilized, aggressive and fundamentalist. Any organization connected with RSS e.g. ABVP is considered a party of goons. Whereas the student members of left-wing parties are considered rebels, revolutionaries, progressive and intellectuals. It’s more like a perception battle. The media has created a ‘group of somebodies’ and a ‘group of nobodies’. Those raising slogans against the State of India are painted as The Superiors and the ones singing ‘Vande Mataram’ as The Inferiors. This is the reason why people like to associate themselves with the left – The Superiors. Some people like to believe they are liberals. Liberals are those who do liberal things, not the ones who are against the right. If you look at the reporting of the Jadavpur University crisis after the seditious JNU incident, they always wrote ‘left-wing students’ and ABVP goons or outsiders. I realized this when a journalist asked me at JU, ‘What do you have to say about the presence of some outsiders, ABVP goons?’ I wondered, ‘Aren’t they students here? Aren’t they called Akhil Bhartiya VIDYARTHI Parishad? Vidyarthi means student.’ She was taken aback and said ‘But…no… yeah… But…’ I knew she had no answer, only biases. I again asked her, ‘Aren’t they students of the same university? What do they need to do to be recognized as students? Raise anti-India slogans?’ She got upset and left me to cover the protesting students – the real students, according to her.

In Bollywood, people concentrate more on lifestyle, vanity and interpersonal equations than their craft. Though we made a big film, a Bollywood film remains only as big as its star. I was in Bollywood’s ‘big’ club.

But as soon as you enter a university, we witness a radical and communal face of Communism. Here, they propagate the weaknesses and evils of Hindu culture. They manipulate and twist ancient books to misrepresent them and provoke students. For example, they use Tulsidas' chaupai, without mentioning the rest of the Ramcharitmanas, which is the real context. "ढोल गंवार शूद्र पशु नारी, सकल ताडना के अधिकारी." Dhol ganvar shudra pashu nari, sakal tadana ke adhikari. The above lines are spoken by the Sea Deity Samudra to Ram. When Lord Ram got angry and took out his weapon in order to evaporate the whole sea, the deity appeared and said the above lines in the context of boundaries that are created by God himself in order to hold his creations. What Leftists do is that they very cleverly translate it literally in Hindi, ignoring the fact that Ramcharitmanas is written in Awadhi and the same word means one thing in Hindi and another in Awadhi. While the literal meaning of the line in Hindi is 'Drums, the illiterate, lower caste, animals and women deserve a beating to straighten up and get the acts together', its real meaning in Awadhi is different. In Awadhi, tadna means to take care, to protect. Whereas, in Hindi, the same word means punishment, torture, oppression. Samudra meant that like drums, the illiterate, Shudra, animals and women need special care and need to be protected in the boundary of a social safety net. In the same way, the sea also needs to reside within the boundaries created by God. And hence, Samudra gave the suggestion to create the iconic Ram Setu. Here, Shudra doesn't mean lower caste or today's Dalit. It meant people employed in cottage industries. I remember there is a book by R.C. Dutta, Economic Interpretation of History, in which he has said that when the Indian economy was based on the principles of Varna, handicrafts accounted for over twenty-five percent of the economy. Artisans and labour who were involved in the handicraft business were called 'Shudra'. If there was so much caste-based discrimination, why would Brahmins use their produce? Both Dutta and Dadabhai Naoroji have written that the terminology of 'caste discrimination' was used by the British to divide Indian society on those lines. Manish continues, Like the British, they provoke young students to believe that Hindu scriptures are against Dalits and women and want them to suffer torture. Young students are emotional and passionate. They come here with the dream of changing the world. The concept of "revolution" attracts them and they get swayed by an illogical logic.

Talking about the massacre of Sikhs that took place in Delhi in 1984, Vivek Agnihotri said, “It’s (1984) is a dark chapter of Indian history. The way the entire Punjab terrorism situation was handled, was inhuman & it was purely from vote bank politics & that’s why terrorism was cultivated by the Congress party in Punjab.”

If your fellow ‘secular’ filmwallas feel so strongly about the ‘secular foundations’ and its preservation thereof, how come they never uttered a word against the Muzzafarnagar riots? Or against Shri Mulayam Singh Yadav? Or Azam Khan? Or Abu Azmi?

Somewhere in the race to survive in Bollywood, I started telling stories that I believed people wanted to hear, and not the ones I wanted to tell. The ones which ought to be told.

[He said:] ‘Students belonging to SC/ST are attracted to Leftist propaganda because of the fraud theory of Aryan-Dravidian divide. Leftists have also misrepresented Indian epics like Manu Smriti and manipulated Indian history books to brainwash students. Students from Kashmir with a jihadi mentality easily get attracted towards Leftists as they both have a common agenda of weakening India.’

To cover up his illicit romances, rising corruption, the undercurrent of a revolt and massive defeat and humiliation by the Chinese, Nehru nurtured an ‘intelligentsia’ which justified his impractical economics and failed politics to the masses. The coterie of intellectuals he created was immoral. Historians know that whenever a king has surrounded himself with immoral thinkers, debauchery has begun. These short-sighted and opportunistic intellectuals justified ‘socialism’. Socialism has corruption in its very DNA. Nehru chose Big State over Big Market. More State-sponsored programmes meant inefficient system, red-tapism, favouritism, weaker economy, and corruption. It meant bigger disparity between masses and policy makers. More subsidies, doles, freebies meant more arrogance of rulers for they were the ones distributing alms. They became the givers. And us, the obliged masses, the takers. Thus, India arrived at State vs Masses. Corrupt vs Masses. Intellectuals vs Masses. Givers vs Takers.

It is 6 AM and I am working. I am absentminded, reckless, heedless of social obligations. It is as it must be. I have reached a point where the film can beat about the bush or become explosive by exposing the skeletons that have been meticulously hidden from the public eye by the ‘ecosystem’.

Little did Vanbala know that Naxalism is just a vehicle to take her from one hell to another hell.

Two phenomena disturbed this status quo. One, the advent of social media, and second, the rise of Narendra Modi. With easy access to social and digital media, the underclass started questioning the authenticity of information provided by the overclass. Suddenly, their statements are scrutinized, their credibility is questioned, their sinister campaigns and lies are exposed. Their dilemma is that if they quit social media, they lose their relevance, and if they stay, they lose their credibility. This war of intolerance isn’t between HDL (Hindu Defence League) and MDL (Muslim Defence league). This isn’t between the left and the right. This is between the overclass and the underclass.

Or a party which believes in Hindu secularism and is led by ‘the-man-you-hate’ who says 10 times a day that his only mantra is ‘Justice for all. Appeasement for none.’

In India, people fight with all their might to kill an idea. The privileged people. The biggest problem with our establishment is that it has no space for a new idea. Art, cinema, and media haven’t developed enough to present new ideas for adoption. They are engaged in the politics of survival and therefore the outcome is mediocre and very often regressive. Most of the ideas are perceived as dissent. As disruption. As treason. Sometimes ideas like Naxalism, become violent and seditious. Despite being a democracy, in our country there is very little room for an alternate narrative. Whenever a child comes up with an innovative idea, parents, neighbours, teachers, and society crush the idea by telling him 'Kyon apna waqt barbad karte ho, yahan kuch nahin hone wala—don't waste your time.’ It can't be that all of them are idiots. They speak from their experience. 'Aise hi chalta hai … don't be stupid '…. Nothing is going to change… you don't know their power.'

Both the worlds are so polarized. So different and contradictory. Yet, they have some things in common. Complexity, chaos, and conflict. And there is no place for any other narrative.