Walter Bagehot Quotes

Under a cabinet constitution at a sudden emergency this people can choose a ruler for the occasion. It is quite possible and even likely that he would not be ruler before the occasion. The great qualities, the imperious will, the rapid energy, the eager nature fit for a great crisis are not required—are impediments—in common times. A Lord Liverpool is better in everyday politics than a Chatham—a Louis Philippe far better than a Napoleon. By the structure of the world we want, at the sudden occurrence of a grave tempest, to change the helmsman—to replace the pilot of the calm by the pilot of the storm.

Cabinet governments educate the nation; the presidential does not educate it, and may corrupt it.

A cabinet is a combining committee,—a hyphen which joins, a buckle which fastens, the legislative part of the state to the executive part of the state. In its origin it belongs to the one, in its functions it belongs to the other.

No orator ever made an impression by appealing to men as to their plainest physical wants, except when he could allege that those wants were caused by some one’s tyranny. But thousands have made the greatest impression by appealing to some vague dream of glory, or empire, or nationality.

An ancient and ever-altering constitution is like an old man who still wears with attached fondness clothes in the fashion of his youth: what you see of him is the same; what you do not see is wholly altered.

In excited states of the public mind they have scarcely a discretion at all; the tendency of the public perturbation determines what shall and what shall not be dealt with. But, upon the other hand, in quiet times statesmen have great power; when there is no fire lighted, they can settle what fire shall be lit. And as the new suffrage is happily to be tried in a quiet time, the responsibility of our statesmen is great because their power is great too.

But the mass of the old electors did not analyse very much: they liked to have one of their "betters" to represent them; if he was rich they respected him much; and if he was a lord, they liked him the better. The issue put before these electors was, which of two rich people will you choose? And each of those rich people was put forward by great parties whose notions were the notions of the rich—whose plans were their plans. The electors only selected one or two wealthy men to carry out the schemes of one or two wealthy associations.

A political country is like an American forest; you have only to cut down the old trees, and immediately new trees come up to replace them.

A new Constitution does not produce its full effect as long as all its subjects were reared under an old Constitution, as long as its statesmen were trained by that old Constitution. It is not really tested till it comes to be worked by statesmen and among a people neither of whom are guided by a different experience.

... Satan is made interesting. This has been the charge of a thousand orthodox and even heterodox writers against Milton.

... Nothing is so simple as the subject matter of his works. The two greatest of his creations, the character of Satan and the character of Eve, are two of the simplest—the latter probably the very simplest—in the whole field of literature. On this side, Milton's art is classical. On the other hand, in no writer is the imagery more profuse, the illustrations more various, the dress altogether more splendid; and in this respect the style of his art seems romantic and modern. In real truth, however, it is only ancient art in a modern disguise: the dress is a mere dress, and can be stripped off when we will.—we all of us do perhaps in memory strip it off for ourselves.

... For ancient heroes the exhaustive method is possible: all that can be known of them is contained in a few short passages of Greek and Latin, and it is quite possible to say whatever can be said about every one of these; the result would not be unreasonably bulky, though it might be dull. But in the case of men who have lived in the thick of the crowded modern world, no such course is admissible; overmuch may be said, and we must choose what we will say. Biographers, however, are rarely bold enough to adopt the selective method consistently. They have, we suspect, the fear of the critics before their eyes.

... The fame of Gibbon is highest among writers; those especially who have studied for years particular periods included in his theme (and how many those are; for in the East and West he has set his mark on all that is great for ten centuries!) acutely feel and admiringly observe how difficult it would be to say so much, and leave so little untouched ; to compress so many telling points; to present in so few words so apt and embracing a narrative of the whole.

... Practical people have little idea of the practical ability required to write a large book, and especially a large history. Long before you get to the pen, there is an immensity of pure business: heaps of material are strewn every where; but they lie in disorder, unread, uncatalogued, unknown. It seems a dreary waste of life to be analysing, indexing, extracting works and passages, in which one per cent of the contents are interesting, and not half of that per centage will ultimately appear in the flowing narrative.

Whatever may be the defects of Gibbon's history, none can deny him a proud precision and a style in marching order.