When the train of history makes a sharp turn, said Lenin, the passengers who do not have a good grip on their seats are thrown off. Last week the Communist Limited had just about completed the dizzy turn from the Communazi Pact to the Battle of Britain, and U. S. literary liberals were spattered all over the right of way. ("Revolt of the Intellectuals," January 6, 1941)

Then he asked in German (the only language that we ever spoke): "Ist die Sowjetregierung eine faschistische Regierung? - Is the Soviet Government a fascist government?"… I sat silent for some moments. Then I said: "Ja, die Sowjetregierung ist eine faschistische Regierung - the Soviet Government is a fascist government"… Krivitsky turned for the first time and looked at me directly. "Du hast recht," he said, "und Kronstadt war der Wendepunkt - You are right, and Kronstadt was the turning point." (pp. 459-460)

"The story has spread that in testifying against Mr. Hiss I am working out some old grudge, or motives or revenge or hatred. I do not hate Mr. Hiss. We were close friends, but we are caught in a tragedy of history. Mr. Hiss represents the concealed enemy against which we are all fighting, and I am fighting. I have testified against him with remorse and pity, but in a moment of history in which this Nation now stands, so help me God, I could not do otherwise." (pp. 694-695) (televised testimony of August 25, 1948)

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My eye came to rest on the delicate convolutions of her ear-those intricate, perfect ears. The thought passed through my mind: "No, those ears were not created by any chance coming together of atoms in nature (the Communist view). They could have been created only by immense design." (p. 16)

Meanwhile the intellectuals, refugees once more in their lonely remodeled farmhouses in Connecticut and the Berkshires, thought it over. Comrade Hicks, who had been closest to the Party, knew most about it, thought Communism was daily growing more like fascism. (p. 61)

"What statesmanship! What vision! What power! We have known nothing like it since my ancestor, Peter the Great, broke a window into Europe by overrunning the Baltic states in the 18th Century. Stalin has made Russia great again!" ("The Ghosts on the Roof," March 5, 1945)

Tragedy occurs when a human soul awakes and seeks, in suffering and pain, to free itself from crime, violence, infamy, even at the cost of life. The struggle is the tragedy - not defeat or death. That is why the spectacle of tragedy has always filled men, not with despair, but with a sense of hope and exaltation. (pp. 4-5)

The book begins with the clang of a cell door closing in a GPU prison. It ends with a shot in the back of the head in a murky passageway of the prison cellar. It moves with the speed, directness, precision and some of the impact of a bullet. ("Brightest in Dungeons," May 26, 1941)

No one mentioned Communism or the Hiss Case until we sat over our coffee in the living room. Mrs. Philip Jessup had just used her personal good offices to try to get me off TIME. Luce was baffled by the implacable clamor of the most enlightened people against me. "By any Marxian pattern of how classes behave," he said, "the upper class should be for you and the lower classes should be against you. But it is the upper class that is most violent against you. How do you explain that?" "You don't understand the class structure of American society," said Smetana, "or you would not ask such a question. In the United States, the working class are Democrats. The middle class are Republicans. The upper class are Communists." (p.616)

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Toscanini was hailing a great artist, but that voice was more than a magnificent personal talent. It was the religious voice of a whole religious people — probably the most God-obsessed (and man-despised) people since the ancient Hebrews. ("In Egypt Land," December 30, 1946)