"I do not believe in God," I told him. "For if there is a God, then tell me, Uncle, why is there poverty and baldness? Why do some men go through life immune to a thousand mortal enemies of the race, while others get a migraine that lasts for weeks? Why are our days numbered and not, say, lettered?"

Rabbi Raditz of Poland was a very short rabbi with a long beard, who was said to have inspired many pogroms with his sense of humor. One of his disciples asked, "Who did God like better, Moses or Abraham?"
"Abraham," the Zaddik said.
"But Moses led the Israelites to the Promised Land," said the disciple.
"All right, so Moses," the Zaddik answered.

Rabbi Zwi Chaim Yisroel, an Orthodox scholar of the Torah and a man who developed whining to an art unheard of in the West, was unanimously hailed as the wisest man of the Renaissance by his fellow-Hebrews, who totalled a sixteenth of one per cent of the population. Once, while he was on his way to synagogue to celebrate the sacred Jewish holiday commemorating God's reneging on every promise, a woman stopped him and asking the following question: "Rabbi, why are we not allowed to eat pork?"
"We're not?" the Rev said incredulously. "Uh-oh."

Last year, organized crime was directly responsible for more than one hundred murders, and mafiosi participated indirectly in several hundred more, either by lending the killers carfare or by holding their coats. Other illicit activities engaged in by Cosa Nostra members included gambling, narcotics, prostitution, hijacking, loansharking, and the transportation of a large whitefish across the state line for immoral purposes.

V. attacked his first woman at eighteen, and thereafter raped half a dozen per week for years. The best I was able to do with him in therapy was to substitute a more socially acceptable habit to replace his aggressive tendencies; and thereafter when he chanced upon an unsuspecting female, instead of assaulting her, he would produce a large halibut from his jacket and show it to her. While the sight of it caused consternation in some, the women were spared any violence and some even confessed their lives were immeasurably enriched by the experience.

The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films... They can't afford to be that risky at those prices. Consequently you're getting a lot of remakes, sequels, dopey comedies full of toilet jokes...

You start to think, when you're younger, how important everything is and how things have to go right—your job, your career, your life, your choices, and all of that. Then, after a while, you start to realise that – I'm talking the big picture here – eventually you die, and eventually the sun burns out and the earth is gone, and eventually all the stars and all the planets in the entire universe go, disappear, and nothing is left at all. Nothing – Shakespeare and Beethoven and Michelangelo gone. And you think to yourself that there's a lot of noise and sound and fury – and where's it going? It's not going any place... Now, you can't actually live your life like that, because if you do you just sit there and – why do anything? Why get up in the morning and do anything? So I think it's the job of the artist to try and figure out why, given this terrible fact, you want to go on living.

This is my perspective and has always been my perspective on life: I have a very grim, pessimistic view of it. I always have, since I was a little boy. It hasn't gotten worse with age or anything. I do feel that it's a grim, painful, nightmarish, meaningless experience, and that the only way that you can be happy is if you tell yourself some lies and deceive yourself.

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I made the statement years ago which is often quoted that 80 percent of life is showing up. People used to always say to me that they wanted to write a play, they wanted to write a movie, they wanted to write a novel, and the couple of people that did it were 80 percent of the way to having something happen. All the other people struck out without ever getting that pack. They couldn't do it, that's why they don't accomplish a thing, they don't do the thing, so once you do it, if you actually write your film script, or write your novel, you are more than half way towards something good happening. So that I was say [sic] my biggest life lesson that has worked. All others have failed me.

I have no apprehension whatsoever. I've been through this so many times. And I found that one way or the other, your life doesn't change at all. Which is sad, in a way. Because the people love your film... nothing great happens. And people hate your film... nothing terrible happens. Many years ago, I would... I would... a film of mine would open, and it would get great reviews, and I would go down and look at the movie theater. There'd be a line around the block. And when a film is reviled, you open a film and people say "Oh, it's the stupidest thing, it's the worst movie." You think: oh, nobody's going to ever speak to you again. But, it doesn't happen. Nobody cares. You know, they read it and they say "Oh, they hated your film." You care, at the time. But they don't. Nobody else cares. They're not interested. They've got their own lives, and their own problems, and their own shadows on their lungs, and their x-rays. And, you know, they've got their own stuff they're dealing with.... So, I'm just never nervous about it.