Writing about music is like dancing about architecture.

Writing about music is like dancing about architecture.

Writing about music is like dancing about architecture.

Talking about music is like dancing about architecture.

"Let's face it: there are few things in this world more stupid than dancing. Except break dancing, which pirates and lumber jacks would agree is awesome. Other than that, dancing makes me envy cripples."

Reviewing music has to be the hardest, most pointless job since Twinkletoe-Winkletoe Ffiennes walked to the North Pole wearing nothing but a dressing gown and slippers. Or something. Imagine, please, being instructed to write about the latest All Saints album. You'd listen, hate it, and say so. And a week later, all the 14-year-olds who took it to number one would burn your house down.

La musique doit humblement chercher à faire plaisir, l'extrême complication est le contraire de l'art

La musique est accoutumée à ne point faire ce qu'on veut.

I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music.

What's good about the way we write songs is that I never quite know what I'm doing cause I can't read music. source

Those who dance appear insane to those who cannot hear the music.

Musical people are so absurdly unreasonable. They always want one to be perfectly dumb a the very moment when one is longing to be absolutely deaf.

Music has its existence on the borderline between meaning and nonsense. That is why most attempts to attribute a specific meaning to a piece of music seem to be beside the point—even when the attribution is authoritative, even when it is made by the composer himself.

Bad music is what will ruin music, not the instruments musicians choose to play.