Beauty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good.

Grace is the beauty of form under the influence of freedom.

Nature holds the key to our aesthetic, intellectual, cognitive and even spiritual satisfaction.

Our attraction to that quality which we have come to call 'beauty', and which we associate with the detection of innate unity and harmony in the face of superficial diversity, has led us to expect that the unity of the Universe should be expressed in certain particular ways. If we are physicists we might often hear talk of the 'beauty' or 'elegance' of particular ideas or theories to such an extent that, like Dirac, *we make aesthetic quality a guide or even a prerequisite for the formulation of correct mathematical theories of nature.

The Good consists in the congruity of a thing with the laws of the reason and the nature of the will, and in its fitness to determine the latter to actualize the former: and it is always discursive. The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.

Beauty … is a relation, and the apprehension of it a comparison.

Order the beauty even of beauty is,
It is the rule of bliss,
The very life and form and cause of pleasure.

A feeling of beauty is a sign that we have come upon a material articulation of certain of our ideas of a good life.

Whether great attraction and strong interior occupations are of nature or of grace can be known by the fact that they are accompanied by perfect rest or subtle disquiet.

We can conclude from this that we are drawn to call something beautiful whenever we detect that it contains in a concentrated form those qualities in which we personally, or our societies more generally, are deficient. We respect a style which can move us away from what we fear and towards what we crave: a style which carries the correct dosage of our missing virtues.

Grace has been defined the outward expression of the inward harmony of the soul.

Our admiration for natural beauty /.../ cares not to understand either the physical theories which explain what it admires, or the psychological theories which explain its admiration. It does not deny the truth of the first, nor (within due limits) the sufficiency of the second. But it requires more. It feels itself belittled unless conscious purpose can be found somewhere in its pedigree. Physics and psycho-physics, by themselves, suffice not. It longs to regard beauty as a revelation—a revelation from spirit to spirit, not from one kind of atomic agitation to the "psychic" accompaniment of another. On this condition only can its highest values be maintained.'

Grace is to the body what reason is to the mind.

Perhaps, the good and the beautiful are the same, and must be investigated by one and the same process; and in like manner the base and the evil. And in the first rank we must place the beautiful, and consider it as the same with the good; from which immediately emanates intellect as beautiful. Next to this, we must consider the soul receiving its beauty from intellect, and every inferior beauty deriving its origin from the forming power of the soul, whether conversant in fair actions and offices, or sciences and arts. Lastly, bodies themselves participate of beauty from the soul, which, as something divine, and a portion of the beautiful itself, renders whatever it supervenes and subdues, beautiful as far as its natural capacity will admit. Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose. For if anyone shall become acquainted with this source of beauty he will then know what I say, and after what manner he is beautiful. Indeed, whatever is desirable is a kind of good, since to this desire tends. But they alone pursue true good, who rise to intelligible beauty, and so far only tend to good itself; as far as they lay aside the deformed vestments of matter, with which they become connected in their descent. Just as those who penetrate into the holy retreats of sacred mysteries, are first purified and then divest themselves of their garments, until someone by such a process, having dismissed everything foreign from the God, by himself alone, beholds the solitary principle of the universe, sincere, simple and pure, from which all things depend, and to whose transcendent perfections the eyes of all intelligent natures are directed, as the proper cause of being, life and intelligence. With what ardent love, with what strong desire will he who enjoys this transporting vision be inflamed while vehemently affecting to become one with this supreme beauty! For this it is ordained, that he who does not yet perceive him, yet desires him as good, but he who enjoys the vision is enraptured with his beauty, and is equally filled with admiration and delight. Hence, such a one is agitated with a salutary astonishment; is affected with the highest and truest love; derides vehement affections and inferior loves, and despises the beauty which he once approved. Such, too, is the condition of those who, on perceiving the forms of gods or daemons, no longer esteem the fairest of corporeal forms. What, then, must be the condition of that being, who beholds the beautiful itself?