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" "Let no one reduce to tears or reproach
This statement of the mastery of God,
Who, with magnificent irony, gave
Me at once both books and night
Of this city of books He pronounced rulers
These lightless eyes, who can only
Peruse in libraries of dreams
The insensible paragraphs that yield
With every new dawn. Vainly does the day
Lavish on them its infinite books,
Arduous as the arduous manuscripts
Which at Alexandria did perish.
Of hunger and thirst (a Greek story tells us)
Dies a king amidst fountains and gardens;
I aimlessly weary at the confines
Of this tall and deep blind library.
Encyclopedias, atlases, the East
And the West, centuries, dynasties
Symbols, cosmos and cosmogonies
Do walls proffer, but pointlessly.
Slow in my shadow, I the hollow shade
Explore with my indecisive cane;
To think I had imagined Paradise
In the form of such a library.
Something, certainly not termed
Fate, rules on such things;
Another had received in blurry
Afternoons both books and shadow.
Wandering through these slow corridors
I often feel with a vague and sacred dread
That I am another, the dead one, who must
Have trodden the same steps at the same time.
Which of the two is now writing this poem
Of a plural I and of a single shadow?
How important is the word that names me
If the anathema is one and indivisible?
Groussac or Borges, I see this darling
World deform and extinguish
To a pale, uncertain ash
Resembling sleep and oblivion
Jorge Luis Borges (24 August 1899 – 14 June 1986) was an Argentine writer who is considered one of the foremost literary figures of the 20th century. Most famous in the English speaking world for his short stories and fictive essays, Borges was also a poet, critic, translator and man of letters.
Biography information from Wikiquote
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A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one’s art. One must accept it. For this reason I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord. Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so.
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