20 Quotes Tagged: essay
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No peace is possible between the novelist and the agélaste [those who do not laugh]. Never having heard God's laughter, the agélastes are convinced that the truth is obvious, that all men necessarily think the same thing, and that they themselves are exactly what they think they are. But it is precisely in losing the certainty of truth and the unanimous agreement of others that man becomes an individual. The novel is the imaginary paradise of individuals. It is the territory where no one possesses the truth, neither Anna nor Karenin, but where everyone has the right to be understood, both Anna and Karenin.
States vote to take away my marriage rights, and even though I don't want to get married, it tends to hurt my feelings. I guess what bugs me is that it was put to a vote in the first place. If you don't want to marry a homosexual, then don't. But what gives you the right to weigh in on your neighbor's options? It's like voting whether or not redheads should be allowed to celebrate Christmas.
Are the roses not also — even as the owl is — excessive? Each flower is small and lovely, but in their sheer and silent abundance the roses become an immutable force, as though the work of the wild roses was to make sure that all of us, who come wandering over the sand, may be, for a while, struck to the heart and saturated with a simple joy.
A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one’s art. One must accept it. For this reason I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord. Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so.
On the levels of politics and theology, beauty is perfectly compatible with nonsense and tyranny. Which is very fortunate; for if beauty were incompatible with nonsense and tyranny, there would be precious little art in the world. The masterpieces of painting, sculpture and architecture were produced as religious or political propaganda, for the greater glory of a god, a government or a priesthood. But most kings and priests have been despotic and all religions have been riddled with superstition. Genius has been the servant of tyranny and art has advertised the merits of the local cult. Time, as it passes, separates the good art from the bad metaphysics. Can we learn to make this separation, not after the event, but while it is actually taking place? That is the question.
He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist.