The longer the road to love, the keener is the pleasure to be experienced by the sensitive lover. - André Maurois

The reputation of a Don Juan gives to a man the most dangerous power. Wise virgins resist it, but foolish virgins frequently yield to the desire to take a celebrated lover from a rival - even from a friend. This emotion is a complex one, mad up of vanity, respect for another woman's taste, and the need to establish self-assurance by winning a difficult victory. Don Juan chose his first mistresses; later he was chosen. Byron said that he had been raped oftener than anyone since the Trojan War.

In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.

"Nothing," wrote General de Gaulle, "strengthens authority so much as silence." Speech dilutes thought; it allows one's courage to leak away - in short, it dissipates the concentration that is required.