Faults of the mind increase with old age as do those of the features. An old man is incapable of taking up new ideas because he lacks the power to assimilate them, so he clings with crabbed tenacity to the opinions of his maturity. He pompously believes himself able to deal with any problem. Contradiction infuriates him, and he regards it as lack of respect. "In my days," he says, "we never contradicted our elders." He forgets that in his day these same words were spoken to him by his grandfather. Unable to interest himself in what is happening round him and thereby keep himself up to date, he tells stories of his past over and over again; and these are so boring to his younger listeners that they end by avoiding him altogether. Solitude is the greatest evil of old age; one by one lifelong friends and relative disappear, and they cannot be replaced. The desert widens, and death would be pleasant if its rapid approach were not so curiously threatening.

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Some people believe themselves to be independent of surrounding influences because their lives have made rebels of them. But rebellion is not a guarantee of independence. On the contrary, it is an acute form of prejudice. The writer who has been too much dominated in childhood will put himself forward as a free thinker in his attacks on religion and family life, but this revolt is the revolt of a slave.

In the seventeenth and eighteenth centuries, at the courts of the last Kings of France, idle men and women of infinite subtlety took pleasure in analysing very minutely each other's feelings and thoughts. The result was this wonderful literature that goes from La Bruyère and Pascal to Stendhal and Marcel Proust. France became a country of very refined taste. The part played by her in modern Europe was in a way similar to that played by Greece in the ancient world; she took pleasure in a delicious simplicity. Other literatures may have had more strength, more romantic violence; none had that mysterious perfection.

To disgust men with their work is a serious blunder on the part of human society; what could be more natural than their liking for what they do? Work keeps off boredom, vice, and poverty. It is the remedy for all imagined evils. "The souls' joy lies in doing," said Shelly. Active work saves man from himself; indolence make shim a prey to useless regrets, dangerous reveries, enviousness, and hate. Also the first rule of the art of governing is, at all costs, to keep a nation at work. A bored nation is impossible to govern, but a nation occupied by work which it believes to be useful and accomplishes on its own initiative is already a happy one.

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Marriage is not at all what romantic lovers imagine it to be; it is an institution founded upon an instinct; to be successful, it requires not only physical attraction, but will-power, patience, and the always difficult acceptance of "the other"; finally, if these conditions are fulfilled, a beautiful and lasting affection can be established - a unique and, to those who have never known it, incomprehensible mingling of love, friendship, sensuality, and respect, without which there is no true marriage.

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Dramatists have always made fun of the friendship between a husband and his wife's lover. But is it so comic? These two men undoubtedly have more to say to one another than the lover and his mistress. They get on perfectly well, and it is often the husband's presence that makes endurable the intolerable boredom of certain affairs of this sort. Cases have been known where a break occurred almost immediately following the husband's withdrawal from the scene.

It is often difficult to fill an active healthy man's leisure. He is bored when not working; he paces the floor like a caged animal and sinks naturally into vices which are merely the means of getting numberless vivid sensations from his body with which to fill his empty hours. Modern civilization, with its inventions and machines, has increased the number of these hours, and we must learn how to use them.

Conquest brings no lasting happiness unless the person conquered was possessed of free will. Only then can there be doubt and anxiety and those continual victories over habit and boredom which produce the keenest pleasures of all. The comely inmates of the harem are rarely loved, for they are prisoners. Inversely, the far too accessible ladies of present-day seaside resorts almost never inspire love, because they are emancipated. Where is love's victory when there is neither veil, modesty, nor self-respect to check its progress? Excessive freedom raises up the transparent walls of an invisible seraglio to surround these easily acquired ladies. Romantic love requires women, not that they should be inaccessible, but that their lives should be lived within the rather narrow limits of religion and convention. These conditions, admirably observed in the Middle-Ages, produced the courtly love of that time. The honoured mistress of the chateau remained within its walls while the knight set out for the Crusades and thought about his lady. In those days a man scarcely ever tried to arouse love in the object of his passion. He resigned himself to loving in silence, or at least without hope. Such frustrated passions are considered by some to be naive and unreal, but to certain sensitive souls this kind of remote admiration is extremely pleasurable, because, being quite subjective, it is better protected against deception and disillusion.

It is not events and the things one sees and enjoys that produce happiness, but a state of mind which can endow events with its own quality, and we must hope for the duration of this state rather than the recurrence of pleasurable events. Is this state actually an interior one, and can we recognize it otherwise than the by the changes it produces in all exterior things? If we exclude sensation and memory from our thoughts, there is nothing left but a wordless emptiness. Where can pure ecstasy and pure happiness be found? As certain phosphorescent fish see the deep water, the seaweed, and the other creatures of the sea light up at their approach but never perceive the movable source of this illumination because it is in themselves, so the happy man, though he is aware of his effect upon others, has difficulty in perceiving his happiness and even greater difficulty in predicting it.

Writing should never be allowed to become a substitute for living. Style cannot breath in a void. It should not be forgotten that Dickens was at one time a reporter, Balzac a lawyer's clerk and Tchekov a county doctor. Art is different from life but cannot exist without it.

Not all men and women can devote themselves to those whom they respect. Some are jealous of superiority and are far more interested in revealing the faults than in imitating the virtues of a noble character. Others fear the option of a mind that is too lucid and prefer to be friends with someone less exacting.