[T]he famous Theorem about the proportion whereby Gravity decreases in receding from the Sun, was not unknown at least to Pythagoras. This indeed seems to be that which he and his followers would signify to us by the Harmony of the Spheres: That is, they feign'd Apollo playing upon an Harp of seven Strings, by which Symbol, as it is abundantly evident from Pliny, Macrobius and , they meant the Sun in Conjunction with the seven Planets, for they made him the leader of that Septenary Chorus, and Moderator of Nature; and thought that by his Attractive force he acted upon the Planets (and called it Jupiter's Prison, because it is by this Force that he retains and keeps them in their Orbits, from flying off in Right Lines) in the Harmonical ratio of their Distances. For the forces, whereby equal tensions act upon Strings of different lengths (being equal in other respects) are reciprocally as the Squares of the lengths of the Strings.
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Pythagoras... applied the proportion he had thus found by experiments, to the Heavens, and from thence learn'd the Harmony of the Spheres. And, by comparing these Weights with the Weights of the Planets, and the intervals of the Tones, produced by the Weights, with the interval of the Spheres; and lastly, the lengths of Strings with the Distances of the Planets from the Center of the Orbs; he understood, as it were by the Harmony of the Heavens, that the Gravity of the Planets towards the Sun (according to whose measures the Planets move) were reciprocally as the Squares of their Distances from the Sun.
Perhaps the most influential person ever associated with Samos was Pythagoras,* a contemporary of Polycrates in the sixth century B.C. According to local tradition, he lived for a time in a cave on the Samian Mount Kerkis, and was the first person in the history of the world to deduce that the Earth is a sphere. Perhaps he argued by analogy with the Moon and the Sun, or noticed the curved shadow of the Earth on the Moon during a lunar eclipse, or recognized that when ships leave Samos and recede over the horizon, their masts disappear last. He or his disciples discovered the Pythagorean theorem: the sum of the squares of the shorter sides of a right triangle equals the square of the longer side. Pythagoras did not simply enumerate examples of this theorem; he developed a method of mathematical deduction to prove the thing generally. The modern tradition of mathematical argument, essential to all of science, owes much to Pythagoras. It was he who first used the word Cosmos to denote a well-ordered and harmonious universe, a world amenable to human understanding.
For Pythagoras as he was passing by a Smith's Shop, took occasion to observe, that the Sounds the Hammers made, were more accute or grave in proportion to the weights of the Hammers; afterwards stretching Sheeps Guts, and fastning various Weights to them, he learn'd that here likewise the Sounds were proportional to the Weights. Having satisfy'd himself of this, he investigated the Numbers, according to which Consonant Sounds were generated. Whether the whole of this Story be true, or but a Fable, 'tis certain Pythagoras found out the true ratio between the sound of Strings and the Weights fasten'd to them.
Ancient belief in a cosmos composed of spheres, producing music as angels guided them through the heavens, was still flourishing in Elizabethan times. ...There is a good deal more to Pythagorean musical theory than celestial harmony. Besides the music of the celestial spheres (musica mundana), two other varieties of music were distinguished: the sound of instruments...(musica instrumentalis), and the continuous unheard music that emanated from the human body (musica humana), which arises from a resonance between the body and the soul. ...In the medieval world, the status of music is revealed by its position within the Quadrivium—the fourfold curriculum—alongside arithmetic, geometry, and astronomy. Medieval students... believed all forms of harmony to derive from a common source. Before Boethius' studies in the ninth century, the idea of musical harmony was not considered independently of wider matters of celestial or ethical harmony.
With this symphony of voices man can play through the eternity of time in less than an hour, and can taste in small measure the delight of God, the Supreme Artist … I yield freely to the sacred frenzy … the die is cast, and I am writing the book — to be read either now or by posterity, it matters not. It can wait a century for a reader, as God Himself has waited 6,000 years for a witness. Within the “symphony of voices,” Kepler believed that the speed of each planet corresponds to certain notes in the Latinate musical scale popular in his day — do, re, mi, fa, sol, la, ti, do. He claimed that in the harmony of the spheres, the tones of Earth are fa and mi, that the Earth is forever humming fa and mi, and that they stand in a straightforward way for the Latin word for famine. He argued, not unsuccessfully, that the Earth was best described by that single doleful word.
[T]he Opinion of the Ancients concerning Gravity... they were perswaded that Gravity was not an affection of Terrestrial Bodies only, but of the Celestial also, that all Bodies gravitate towards one another; and that the Planets are retained in their Orbits by the force of Gravity, and lastly, that the Gravity of the Planets towards the Sun are reciprocally as the Squares of their Distances from it. What the industry and skill of the Moderns have added to these inventions of the Ancients, the following Pages do declare at large.
As a boy Kepler had been captured by a vision of cosmic splendour, a harmony of the worlds which he sought so tirelessly all his life. Harmony in this world eluded him. His three laws of planetary motion represent, we now know, a real harmony of the worlds, but to Kepler they were only incidental to his quest for a cosmic system based on the Perfect Solids, a system which, it turns out, existed only in his mind. Yet from his work, we have found that scientific laws pervade all of nature, that the same rules apply on Earth as in the skies, that we can find a resonance, a harmony, between the way we think and the way the world works.
When he found that his long cherished beliefs did not agree with the most precise observations, he accepted the uncomfortable facts, he preferred the hard truth to his dearest illusions. That is the heart of science.
Pythagoras... described the golden section: the small is to the large as the large is to the whole... Throughout nature, there is a symphony of harmonies between... parts. ... ...defined this concept of harmony between parts as a ... Throughout nature... logarithmic spirals are commonplace. ...[T]he logarithmic spiral of DNA, a double helix holding the sugar and phosphate ions... the recipe for the blueprint of... life. ...[W]e can proceed upward ...to observe the ...in ...enormous macroscopic form.
By examining the evidence in the Shatapatha Brahmana, we now know that Indian geometry predates Greek geometry by centuries. For example, the earth was represented by a circular altar and the heavens were represented by a square altar and the ritual consisted of converting the circle into a square of an identical area. There we see the beginnings of geometry! Two aspects of the 'Pythagoras' theorem are described in the Vedic literature. One aspect is purely algebraic that presents numbers a, b, c for which the sum of the squares of the first two equals the square of the third. The second is the geometric, according to which the sum of the areas of two square areas of different size is equal to another square. The Babylonians knew the algebraic aspect of this theorem as early as 1700 BCE, but they did not seem to know the geometric aspect. The Shatapatha Brahmana, which precedes the age of Pythagoras, knows both aspects. Therefore, the Indians could not have learnt it from the Old-Babylonians or the Greeks, who claim to have rediscovered the result only with Pythagoras. India is thus the cradle of the knowledge of geometry and mathematics.
[W]hat sharpness of mind was employed by John Kepler... when, from there being just five regular solids... he inferred that the number of the planets was six, and by inscription of spheres within these solids and circumscription of spheres around them related the distances and ratios of the orbits. It can scarcely be said with what power of prophecy and by what labours he succeeded in arriving at that great theorem of the elliptical planetary orbits with a common focus at the sun... in such a way that the areas that the radius vector of the planet from the sun traverses are proportional to the times. Nevertheless... so great a man... owned himself unequal to... solving directly the problem of determining for a given time the place of the planet in the elliptical orbit. Here geometry, his goddess-mother, was of no avail... But... he brought forward a conjecture of great use, namely, that the squares of the periodic times are in the same ratio as the cubes of the distances between the planets and the sun. Finally, he discovered a marvellous property of bodies by which in the minimally resisting ether they seek each other and as it were attract. From this he also deduced the tides in a clear but brief discourse in his immortal Commentaries on the star Mars, and was as it were a prophet and a precursor of a great geometer born among the English.
He [Kepler] supposes, in that treatise [epitome of astronomy], that the motion of the sun on his axis is preserved by some inherent vital principle; that a certain virtue, or immaterial image of the sun, is diffused with his rays into the ambient spaces, and, revolving with the body of the sun on his axis, takes hold of the planets and carries them along with it in the same direction; as a load-stone turned round in the neighborhood of a magnetic needle makes it turn round at the same time. The planet, according to him, by its inertia endeavors to continue in its place, and the action of the sun's image and this inertia are in a perpetual struggle. He adds, that this action of the sun, like to his light, decreases as the distance increases; and therefore moves the same planet with greater celerity when nearer the sun, than at a greater distance. To account for the planet's approaching towards the sun as it descends from the aphelium to the perihelium, and receding from the sun while it ascends to the aphelium again, he supposes that the sun attracts one part of each planet, and repels the opposite part; and that the part which is attracted is turned towards the sun in the descent, and that the other part is towards the sun in the ascent. By suppositions of this kind he endeavored to account for all the other varieties of the celestial motions.
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