This feature is reminiscent in my opinion, of certain features of some paintings, where each part reflects other parts and even the whole, with regar… - David Bohm

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This feature is reminiscent in my opinion, of certain features of some paintings, where each part reflects other parts and even the whole, with regard to colour, form, composition and other elements which go to make up the picture.

The above idea of the infinite shows already the breakdown of the notion that the world can be divided into separately existing parts. For already, even in this very simple view, an essential aspect of what each part is that it reflects the other parts.

The further extension of the idea of infinity to time leads to an even more radical change. Here, what is suggested is to reverse the usual idea of first imagining time and then saying that things exist and move in time. Rather, we begin with existence and process, and say that time is the order in this process. Thus we define each time concretely as the 'time when' such and such existed, or changed, and each position as the 'place where' it was etc. to carry such a view consistently, we should begin with the concept of totality, which is infinite and eternal. This includes all that there is, was and will be. If we knew this, we would all know reality. We would all know every concrete existent, every law(relationship) and the limits of every law. Of course, we can only select out certain aspects of this totality. Each science reflects some aspect, the arts another, the poet another and so on...

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About David Bohm

David Joseph Bohm (20 December 1917 – 27 October 1992) was an American-British scientist who has been described as one of the most significant theoretical physicists of the 20th century and who contributed unorthodox ideas to quantum theory, neuropsychology and the philosophy of mind.

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Native Name: David Joseph Bohm Böhm Dávid József
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Additional quotes by David Bohm

...what we have to do with regard to the great wisdom from the whole of the past, both in the East and in the West, is to assimilate it and go on to new and original perception relevant to our present condition of life.

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Science can now help us to understand ourselves in this way by giving factual information about brain structure and function, and how the mind works. Then there is an art of self knowledge, which each person has to develop for himself. This art must lead one to be sensitive to how his basically false approach to life is always tending to generate conflict and confusion. The role of art here is therefore not to provide a symbolism, but rather to teach the artistic spirit of sensitive perception of the individual and particular phenomena of one's own psyche. This spirit is needed if one is to understand the relevance of general scientific knowledge to his own special problems, as well as to give effect to the scientific spirit of seeing the fact about one's self as it is, whether on elikes it or not, and thus helping to end conflict.
Such an approach is not possible, however, unless one has the spirit that meets life wholly and totally. We still need the religious spirit, but today we no longer need the religious mythology, which is now introducing an irrelevant and confusing element into the whole question.
Itwould seem, then, that in some ways the modern person must manage to create a total approach to life which accomplishes what was done in earlier days by science, art and religion, but in a new way that is appropriate to the modern conditions of life. An important part of such an action is to see what the relationshipbetween science and art now actually is, and to understand the direction in which this relationship might develop.

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