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Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.
The business which brings you here to-day is of a peculiar character, due to the very peculiar character of the Empire over which the Queen rules. It yields to none, it is perhaps superior to all in its greatness, in its extent, in the vastness of its population, in the magnificence of its wealth. But it has this peculiarity which separates it from other empires—the want of continuity. The Empire is separated into parts, and distant parts, by large stretches of ocean, and what we are really here to do is to see how far we must acquiesce in the conditions which that separation causes, how far we can obliterate them by agreement and by organization.
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(theatrically) Do you realize, Dr. Seldon, that you are speaking of an Empire that has stood for twelve thousand years, through all the vicissitudes of the generations, and which has behind it the good wishes and love of a quadrillion human beings? A. I am aware both of the present status and the past history of the Empire. Without disrespect, I must claim a far better knowledge of it than any in this room. Q. And you predict its ruin? A. It is a prediction which is made by mathematics. I pass no moral judgements. Personally, I regret the prospect. Even if the Empire were admitted to be a bad thing (an admission I do not make), the state of anarchy which would follow its fall would be worse. It is that state of anarchy which my project is pledged to fight. The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity — a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop.
Empire is a very stimulating account of globalisation, but it is hopelessly wrong on two central issues. The state has not withered away. Strong states still exist—USA, China, Germany, etc—but the difference with the past is that there is now only one Empire and this is not the nebulous entity imagined by Cultural Studies, but a real, living organism and it has a name; the United States of America.
We have to acknowledge that the empire is tottering towards its collapse. So what is empire? Empire is the expression of white supremacy beyond our borders. The whole nature of empire is to go into the Middle East — previously into Vietnam, Latin America, the Philippines and elsewhere — and steal natural resources and exploit cheap labor in the name of white supremacy. And of course, we have an American society built on chattel slavery and genocide against indigenous peoples. What empires traditionally do at the end is they engage in what historians call "micro-militarism".
The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity — a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop. Q.
The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity — a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop.
Everything was there, it is simply that there was no clerk capable of making an inventory of all the constituents; but the realm that existed once — once and once only — had disappeared for ever, ground into infinitesimal pieces by the endless momentum of chaos within which crystals of order survived, the chaos that consisted of an indifferent and unstoppable traffic between things. It ground the empire into carbon, hydrogen, nitrogen and sulphur, it took its delicate fibres and unstitched them till they were dispersed and had ceased to exist, because they had been consumed by the force of some incomprehensibly distant edict, which must also consume this book, here, now, at the full stop, after the last word.
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One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation.
[F]rom the earliest periods of time [man] alone has divided the empire of the world between him and Nature. ...[H]e rather enjoys than possesses, and it is by constant and perpetual activity and vigilance that he preserves his advantage, for if those are neglected every thing languishes, changes, and returns to the absolute dominion of Nature. She resumes her power, destroys the operations of man; envelopes with moss and dust his most pompous monuments, and in the progress of time entirely effaces them, leaving man to regret having lost by his negligence what his ancestors had acquired by their industry. Those periods in which man loses his empire, those ages in which every thing valuable perishes, commence with war and are completed by famine and depopulation. Although the strength of man depends solely upon the union of numbers, and his happiness is derived from peace, he is, nevertheless, so regardless of his own comforts as to take up arms and to fight, which are never-failing sources of ruin and misery. Incited by insatiable avarice, or blind ambition, which is still more insatiable, he becomes callous to the feelings of humanity; regardless of his own welfare, his whole thoughts turn upon the destruction of his own species, which he soon accomplishes. The days of blood and carnage over, and the intoxicating fumes of glory dispelled, he beholds, with a melancholy eye, the earth desolated, the arts buried, nations dispersed, an enfeebled people, the ruins of his own happiness, and the loss of his real power.
A great empire cannot bring freedom by its own decay to those corners in it where a subject people are prevented from discussing the fundamentals of life. The people feel like children turned adrift to fend for themselves when the imperial routine breaks down; and they wander to and fro, given up to instinctive fears and antagonisms and exaltation until reason dares to take control. I had come to Yugoslavia to see what history meant in flesh and blood. I learned now that it might follow, because an empire passed, that a world full of strong men and women and rich food and heady wine might nevertheless seem like a shadow-show: that a man of every excellence might sit by a fire warming his hands in the vain hope of casting out a chill that lived not in the flesh.
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