Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.

Writing a book is an adventure to begin with, it is a toy and an amusement, then it becomes a mistress, and then it becomes a master, and then a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him out to the public.

It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.

When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.

committing to writing a book is easy

you just have to be a little bit insane, financially reckless, and married to the right person

There’s something about writing books that gives us the permission to discuss things that aren’t as easy to talk about in everyday life. To me, the whole point of writing books is to look at the unexamined, the unspeakable, and the unarticulated.

Writing the book consumed me. On a good day, writing forces you to distill ideas, to order them logically and to breathe life into them with unexpected language. For me there is no more satisfying intellectual exercise.

I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex. Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

If speaking is still difficult to negotiate, then writing has created a free space for most women -much freer than speech. The book is bound, circulated, read. It retains its autonomy much more than a woman is allowed in the oral situation.

This is the strange life of books that you enter along as a writer, mapping an unknown territory that arises as you travel. If you succeed in the voyage, others enter after, one at a time, also alone, but in communion with your imagination, traversing your route. Books are solitudes where we meet.

The explanations a writer gives himself for having written any particular book are more often not the real reasons why that book has been written. Honesty is not the issue. Understanding is. A man does not write one novel at a time or even one quatrain at a time. He is engaged in the long process of putting his whole life on paper. He is on a journey and he is reporting in: ‘This is where I think I am and this is what this place looks like today.’” The

For me, to write is to endlessly question what is life, what is death, what am I. When I write, especially when I’m writing novels, I’m exchanging one, two, three, sometimes four years for that book. So when I feel that I’m going forward as a writer, when I see that I explored what it means to be human in a certain way in this book and I went another way in another book, that’s when I’m glad that I became a writer.

A book is a small cog in a much more complex, external machinery. Writing is a flow among others; it enjoys no special privilege and enters into relationships of current and counter-current, of back-wash with other flows — the flows of shit, sperm, speech, action, eroticism, money, politics, etc. Like Bloom, writing on the sand with one hand and masturbating with the other — two flows in what relationship?

But shall I have the strength to write this book? For there is a great distance between the words we speak uninhibitedly to a friendly audience and the discipline needed to write a book. When we are lecturing, we become animated by the joy of teaching and, at times, our words think for us. But to write a book requires really serious reflection.