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" "For some of us, she is a person who is a trailblazer and a visionary who has helped put Black women writers – particularly those writing out of Britain – on the map. She is visionary, she is feisty, and she has an acute sense of the politics of being and the politics of representation. Yet in all of that, her wit and her wisdom have brought to consciousness the place of those of us Black people of African descent growing up in England – the way we negotiate our identities, the way we negotiate the politics of space, the way we interact intergenerationally and between ourselves [which] has been, for some of us, the food of life.
Abena Pokua Adompim Busia (born 1953) is a Ghanaian writer, poet, feminist, lecturer and diplomat. She is a daughter of former Prime Minister of Ghana Kofi Abrefa Busia, and is the sister of actress Akosua Busia. Busia is an associate professor of Literature in English, and of women's and gender studies at Rutgers University. She is Ghana's ambassador to Brazil, appointed in 2017, with accreditation to the other 12 republics of South America.
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Hello everybody and thank you for joining us, wherever in the world you’re joining us from. My name is Abena Busia. I am a Ghanaian, very proud to be so, a Ghanaian writer and poet, and currently Ghana’s ambassador to Brazil. I am very, very honoured today, however, to be part of this festival and to interview a friend of mine, an extraordinary woman herself who today is best known for co-winning the 2019 Booker Prize with her eighth book, Girl,Woman, Other, making her the first Black woman to win it. But for some of us, her reputation preceded that.
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Yes, and we will come back to that and the matter of your hidden histories. But I now want to ask a question about something that not many people think and talk about. And that is, what is a catholic grasp, if you like, of the place of Black writers in British society? I had the privilege of hearing you speak, five years ago, at [the] African Literature Association conference in Germany and I remember being struck by your keynote speech, about the way you could so clearly map the progress of Black writing, the recognition of Black writing and the issues that Black writers had taken on in the public space: naming the challenges and difficulties you face in the sense of not just what you wrote but that you wrote at all, that you existed at all. And I was wondering if you could share a little bit of that activist part of the collectivity before we return to the question of your personal creativity.