The work is tiring, drudgery, a labour of years, and when the reader receives the book, he has to feel the trickery, the magic. He must not see the h… - Dorit Rabinyan

My traditional society defined womanhood as poverty, but I have turned it into wealth. As a child I was jealous of the preference for boys, then the jealousy became anger and disappointment, but I turned the offence into a source of strength, which produced literature and power. I am a link in a chain of astonishing women in my family.

All the Rivers touched a raw nerve in Israeli society. The book tries to address the Jewish fear of losing our identity in the Middle East. And yet that very fear condemned it to official rejection. It was banned from the high-school curriculum on the grounds that “intimate relations between Jews and non-Jews threaten to subvert our distinct identity.” The Minister of Education, Naftali Bennett had claimed that I portrayed Israeli soldiers as sadistic criminals — even though he flatly denied reading the book — and now all the Israeli social networks, news sites and current-affairs programs were discussing All The Rivers.

We cannot explore someone else’s identity from within as we do with books and literature… And we cannot do it when you don’t wear someone else’s skin as literary work invites us to do. This empathy that we can taste is so unique to storytelling via the page....I try to encourage myself when it comes to writing prose. Because I do believe in it and love it. This is my home.”