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Despite the incessant efforts to caricature “the other” as demonic and boorish; despite the attempts to persuade us that the Palestinians are nothing… - Dorit Rabinyan
" "Despite the incessant efforts to caricature “the other” as demonic and boorish; despite the attempts to persuade us that the Palestinians are nothing but “shrapnel in the ass”; despite the political deadlock and Prime Minister Netanyahu’s steadfast refusal to engage with the other side — despite all this, All the Rivers is an aperture for dialogue. Far away in New York, Liat and Hilmi, an artist and a student, discover their affinities and their shared fate. Theirs is a complicated love story. But it is suffused with our responsibility to see the other, to be able to recognize ourselves in them. Above all, it rests on the hope that whether we want to or not, whether we shut our eyes or plug our ears, whether we drag our feet or stomp our legs, we will sooner or later admit that we — us and them — sail on the same boat.
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About Dorit Rabinyan
Dorit Rabinyan (Hebrew: דורית רביניאן; born September 25, 1972) is an Israeli writer and screenwriter.
Also Known As
Alternative Names:
Dorit Rabinian
•
Dorit Rivanian
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Additional quotes by Dorit Rabinyan
We are drugged with romantic novels and Turkish films and sayings like, 'Everything will be better when you're married', and we rush panic-stricken towards the wedding-canopy, out of hunger, almost as though it were a children's disease we cannot recover from until we take the marriage vow. We leave the 'We' of the family and move directly to the 'Us' of the couple, without any 'Me' in the middle. I think that on the way from 'We' to 'Us' there has to be a 'Me', otherwise you have no energy for living.
If you only have this superstition and no conscience in addition, then you're trapped in spiritual poverty. It's difficult even for me to let go of the superstition, no matter how much I want to. My parents cannot let go, because that is all they have. The alternative is far too frightening." ("And the alternative is to take responsibility for and control of your own life?") Yes, and that's a frightening thought, because there are no role models. So you feel trapped in this poverty, a kind of regression into the past.
That spring evening, which was marked by the harsh sting of chopped red peppers, all over the housing estate, in all the flats around all the supper tables, the residents talked about Matti Azizyan. Her actions dwarfed the fathers and mothers and big brothers, made their voices crack with shock, and reduced their world to the dimensions of the backyard. (p135)
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