Well the voices, for me especially in first person story-telling, the voice is of primary importance. And the voice reflects and articulates that par… - Chang-Rae Lee

Even though I went to Exeter and Yale, and I enjoyed all the trappings of those places, I think at the same time – and maybe it's because I'm an immigrant kid and not white – there was always this other consciousness; that is, I was conscious of everything that was going on. And I was observing. Some people just ARE, because the temperature of the water is exactly the temperature of their body…But my temperature is always off, a little bit. And I have to note it. And I always did, from a very young age. I don't know if that's my character or upbringing or both.

I've always been compelled by the notions of context and individuality. This interest has been expressed in different ways across my books, but I think I've been consistently fascinated the question of persons who find themselves in a context that either fits too well or doesn't fit at all, by persons who feel they exist simultaneously inside and outside of a cultural or political space. It’s no surprise that as an immigrant I've always been extra conscious of this interplay.

Almost all of western literature is about talk…There's this great line in Beckett: keep talking, you're winning. And somehow I wanted to subvert that; the need to constantly express and put your verbal and psychological stamp on everything…You don't always have to talk.