If we were able to unshackle our imaginations in this moment, I think our compatibility with the Earth would become possible. - adrienne maree brown

Afrofuturism, I will say, is a thrilling — to me, a thrilling arena. And now there’s African futurism. There’s Black speculative fiction. There’s all these arenas where, basically, Black people and people of African lineage are saying, “We were almost erased from the lineage. Right? People wanted to erase us and have us just be labor. We’re writing ourselves back in. We’re writing ourselves back in. We’re creating stories that are rooted in African heritage and that articulate an African future.” So, it’s an exciting place. It’s an exciting arc to be inside of as a creator.

I don't think that we're quite at the place where we can do a prescriptive framework. I think we're so early in the experiment of this phase of abolition. That said, I point in the book to resources that I think are able to do a lot more of that. Fumbling Towards Repair by Shira Hassan and Mariame Kaba is an incredible resource. It's a workbook that basically supports people who want to go through a transformative justice process. And Leah Lakshmi Piepzna-Samarasinha [and Ejeris Dixon] put out a book called Beyond Survival that really is like a grand gathering of transformative justice stories, case studies, lessons from people. Patrisse Cullors is releasing An Abolitionist Handbook this year, which which has this 12-step program of what it looks like to actually take abolition on as a practice.

The work of decolonizing the future is the work of decolonizing our imaginations. We have to tell stories in which the protagonists are those whose stories are least often told, recentering our attention away from the elite, the celebrities, the influencers.