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" "The early feminista understood the erroneous conceptions of the white woman's movement that equated sexism to racism because she was experiencing its compounding effects in her daily life.
Ana Castillo (June 15, 1953) is a Chicana novelist, poet, short story writer, essayist, editor, playwright, translator and independent scholar.
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In 2008 you don’t necessarily find an overt collective Latin@ consciousness (one for all, all for one) in all the output now seen by Latinos. This is a result of the ground broken by my generation. Now, a Latin@ writer, poet, rapper of Word or hip-hop, ‘chic-lit’ novelist does not necessarily feel it important to write from a collective Latin@ identity...Latin@ literature has moved along with the times. You have Latin@s in the limelight -”American Idol”, “Desperate Housewives”, in the White House, etc.- precisely because of the Latin@ Movement of the 70s. On the other hand, popular culture has become global and there aren’t just Latin@s out there now but other ethnic groups that once would not have been represented in the media and mainstream publishing.
The Mexic Amerindian woman has inherited the sexism instituted by dominant Mexican and U.S. society compounded by the sexism within certain oppressed indigenous cultures. In neither the creative literature nor the ethnographic documentation, did I hear her speak for herself. Only in 1992, the quincentenary of European conquest, was the world delivered the voice of one Mesoamerican woman, the Mayan Rigoberta Menchu who received the Nobel Peace Prize for her ongoing activism on behalf of her people's human rights.
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