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Speech is an acoustic reality, writing a visual one. Performance of the former has been perfected through a million years of natural selection in the evolutionary process. The latter is a trick which we began to learn only yesterday (in terms of evolutionary time). To "hear" language (and to "say" it) is programmed in our genes; to "see" it (and "read" it) is not.

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Speech, originally, was the device whereby Man learned, imperfectly, to transmit the thoughts and emotions of his mind. By setting up arbitrary sounds and combinations of sounds to represent certain mental nuances, he developed a method of communication — but one which in its clumsiness and thick-thumbed inadequacy degenerated all the delicacy of the mind into gross and guttural signaling.

Speech, originally, was the device whereby Man learned, imperfectly, to transmit the thoughts and emotions of his mind. By setting up arbitrary sounds and combinations of sounds to represent certain mental nuances, he developed a method of communication - but one which in its clumsiness and thick-thumbed inadequacy degenerated all the delicacy of the mind into gross and guttural signaling

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Speech has arisen through the need for expression. Certain factors have contributed to making it the paramount utilitarian method of expression. There are ideas and things expressible in words, but there are ideas better expressed in music, the person with no musical ear, or without discipline in the language of music, lacks the key to the door of the world of musical experience. But we live in a world of volume and space; it is hard to conceive of the person who is space-blind or volume-deaf. The great majority of people have the means of approach to plastic beauty as part of their natural equipment. The teacher can develop this natural endowment as Necessity, the greatest teacher, has developed speech.

Speech, originally, was the device whereby Man learned, imperfectly, to transmit the thoughts and emotions of his mind. By setting up arbitrary sounds and combinations of sounds to represent certain mental nuances, he developed a method of communication — but one which in its clumsiness and thick-thumbed inadequacy degenerated all the delicacy of the mind into gross and guttural signaling. — Down — down — the results can be followed; and all the suffering that humanity ever knew can be traced to the one fact that no man in the history of the Galaxy, until Hari Seldon, and very few men thereafter, could really understand one another. Every human being lived behind an impenetrable wall of choking mist within which no other but he existed. Occasionally there were the dim signals from deep within the cavern in which another man was located — so that each might grope toward the other. Yet because they did not know one another, and could not understand one another, and dared not trust one another, and felt from infancy the terrors and insecurity of that ultimate isolation — there was the hunted fear of man for man, the savage rapacity of man toward man. Feet, for tens of thousands of years, had clogged and shuffled in the mud — and held down the minds which, for an equal time, had been fit for the companionship of the stars.

That outering or uttering of sense which is language and speech is a tool which “made it possible for man to accumulate experience and knowledge in a form that made easy transmission and maximum use possible.

The eye projects and focuses the inner image (idea) onto the physical world in the same manner that a motion picture camera transfers an image onto a screen. The mouth creates words. The ears create sound. The difficulty in understanding this principle is due to the fact that we’ve taken it for granted that the image and sound already exist for the senses to interpret. Actually the senses are the channels of creation by which idea is projected into material expression.

The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, and anguished or mocking smoke screen which keeps the other in its true place. When true silence falls we are left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.

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Language is texture of images and music. We speak in images and rhythm, by taking help of words.

All language begins with speech, and the speech of common men at that, but when it develops to the point of becoming a literary medium it only looks like speech.

Language is articulated, limited sound organized for the purpose of expression.

Speech is our most valuable instrument, because we can make it fit our common lives. We are not born to follow words. Words follow life. It has always been so from the very beginning. In fact, the human larynx and the shape of the passages above it have evolved in harmony with the lives our earliest ancestors lived, first in the trees, and then on the ground.

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Language is a gift that puts lyrics to the music of our lives. Without spoken language we wouldn’t be able to say, ‘I love you’. We’d have to say ‘uuurrrgghh’ or hold up a sign. And whether it’s one person’s gentle English or another’s muddy, arrogant French, it’s our language that makes us unapproachable and difficult to understand.

Language can be compared to a sheet of paper: thought is its recto and sound its verso: one cannot cut the verso without simultaneously cutting the recto. Similarly, in the matter of language, one can separate neither sound from thought nor thought from sound; such separation could be achieved only by abstraction, which would lead either to pure psychology, or to pure phonology.

Written words differ from spoken words in being material structures. A spoken word is a process in the physical world, having an essential time-order; a written word is a series of pieces of matter, having an essential space-order.

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