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The prompt Paris morning struck its cheerful notes — in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef.

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From the sound of pattering raindrops I recaptured the scent of the lilacs at Combray; from the shifting of the sun's rays on the balcony the pigeons in the Champs-Elysées; from the muffling of sounds in the heat of the morning hours, the cool taste of cherries; the longing for Brittany or Venice from the noise of the wind and the return of Easter. Summer was at hand, the days were long, the weather was warm. It was the season when, early in the morning, pupils and teachers repair to the public gardens to prepare for the final examinations under the trees, seeking to extract the sole drop of coolness vouchsafed by a sky less ardent than in the midday heat but already as sterilely pure.

The people themselves, men and women, are sometimes in France, works of art... [M]any Frenchmen, in the happy days of peace, had turned life into a fine art. What could be more delightful than to dine with a few well-chosen friends, in a small Paris restaurant? The owner, who was called the Patron, was, of course, at the same time, the chef. He wasn't so much interested in your money as in your appreciation of his great talents. He wasn't a tradesman, but an artist and a friend. And the guests were often worthy of the setting. Paris conversation at its best was witty, brilliant, sometimes deep, never ponderous, sparkling with anecdotes, portraits and sketches of the great.

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How beautiful, how buoyant, and glad is morning! The first sunshine on the leaves: the first wind, laden with the first breath of the flowers-that deep sigh with which they seem to waken from sleep; the first dew, untouched even by the light foot of the early hare; the first chirping of the rousing birds, as if eager to begin song and flight; all is redolent of the strength given by rest, and the joy of conscious life.

Life had seemed so simple that morning when I had wakened and found the false spring… But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight.

This City now doth like a garment wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres and temples lie
Open unto the fields and to the sky;
All bright and glittering in the smokeless air.

A breath of Paris preserves the soul.

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A voice of greeting from the wind was sent,
The mists enfolded me with soft white arms,
The birds did sing to lap me in content,
The rivers wove their charms,
And every little daisy in the grass
Did look into my face and smile to see me pass.

Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields and to the sky; All bright and glittering in the smokeless air.

Soft as the early morning breeze of May,
which heralds dawn, rich with the grass and flowers,
spreading in waves their breathing fragrances,

I felt a breeze strike soft upon my brow:
I felt a wing caress it, I am sure,
I sensed the sweetness of ambrosia.

At daybreak, my face still turned to the wall, and before I had seen above the big window-curtains what shade of colour the first streaks of light assumed, I could already tell what the weather was like. The first sounds from the street had told me, according to whether they came to my ears deadened and distorted by the moisture of the atmosphere or quivering like arrows in the resonant, empty expanses of a spacious, frosty, pure morning; as soon as I heard the rumble of the first tramcar, I could tell whether it was sodden with rain or setting forth into the blue.

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