Tragedy is the shattering of the forms and of our attachment to the forms; comedy, the wild and careless, inexhaustible joy of life invincible. - Joseph Campbell

It is ironic that our great western civilization, which has opened to the minds of all mankind the infinite wonders of a universe of untold billions of galaxies should be saddled with the tightest little cosmological image known to mankind? The Hindus with their grandiose Kalpas and their ideas of the divine power which is beyond all human category (male or female). Not so alien to the imagery of modern science that it could not have been put to acceptable use.

All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...]
In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time.

The Hindus, for example, don’t believe in special revelation. They speak of a state in which the ears have opened to the song of the universe. Here the eye has opened to the radiance of the mind of God. And that’s a fundamental deist idea.