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The house stood on a hillside, overlooking the town in the valley and the long stretch of mountains beyond. From the country road that climbed through the hill's woods in a wide curve, you stepped right into the middle story, as if it were at ground level -- so deeply was the little, white house nestled into the slope. But perched up there it had a freer view out over the terraced garden and the broad expanse below, gazing down with many bright window-eyes and with boldly protruding bays -- extensions of original rooms that had been found too confining. This undeniably made for whimsical architecture, but it gave the house an impression of grace and lightness -- almost as if it were just resting there. (p. 1)
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Then we looked back and saw where the clear line of Dracula’s castle cut the sky; for we were so deep under the hill whereon it was set that the angle of perspective of the Carpathian mountains was far below it. We saw it in all its grandeur, perched a thousand feet on the summit of a sheer precipice, and with seemingly a great gap between it and the steep of the adjacent mountain on any side. There was something wild and uncanny about the place. We could hear the distant howling of wolves. They were far off, but the sound, even though coming muffled through the deadening snowfall, was full of terror.
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