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The Greeks believed that true beauty (as opposed to mere prettiness) was the offspring of these two opposing tendencies, which they personified in Apollo and Dionysus, their two gods of art. Great art is born when Apollonian form and Dionysian ecstasy are held in balance, when our dreams of order and abandon come together. One tendency uninformed by the other can bring forth only coldness or chaos—the stiffness of a Triumph tulip, the slackness of a wild rose.
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All writers, not ours alone but foreigners also, who have sought to represent Absolute Beauty, were unequal to the task, for it is an infinitely difficult one. The beautiful is the ideal ; but ideals, with us as in civilized Europe, have long been wavering. There is in the world only one figure of absolute beauty: Christ. That infinitely lovely figure is, as a matter of course, an infinite marvel.
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