It was Homer who inspired the poet.

To explain Homer with Homer

The ancient theory of heroic genealogy... reflects paternity at two levels: human and divine. A man's inheritance comes from his human father, but his qualitative superiority among mortals comes from his divine father. When Odysseus is called Zeus-born (diognēs) this does not mean that the poet has forgotten... that he is the son of human Laertes. ...Zeus is often described as impregnating noble ladies, not so much to gratify his lust for women, but because divine parentage was a necessity among the claims of the aristocracy. Odysseus is a superhuman because he is diogenēs; but he is king of Ithaca because of his human father Laertes. Jesus is divine because of his heavenly Father; but he derives his kingship of the Jews from the mortal Joseph, who was heir to the throne (Matthew I). While normative Judaism has has tried to strip the Old Testament of this phenomenon, vestiges have nevertheless remained in the text.

It has been said that Homer was the Bible of the Greeks. The remark exactly misses the truth. The Greeks fortunately had no Bible, and this fact was both an expression and an important condition of their freedom. Homer's poems were secular, not religious, and it may be noted that they are freer from immorality and savagery than sacred books that one could mention.

It is telling that in the language of Homer there are quite a few ways to express that one man is better than another. But none of these refer to the virtue of piety or ability to tell divine laws. The most legitimacy and honor are received from objective and manifest qualities or virtues: ... personal courage in battle, and ability to give good counsel in the assembly of armed men.

That higher and "complete" man is begotten by the "unknown" father and born from Wisdom, and it is he who, in the figure of the puer aeternus—"vultu mutabilis albus et ater"—represents our totality, which transcends consciousness. It was this boy into whom Faust had to change, abandoning his inflated onesidedness which saw the devil only outside. Christ's "Except ye become as little children" is a prefiguration of this, for in them the opposites lie close together; but what is meant is the boy who is born from the maturity of the adult man, and not the unconscious child we would like to remain.

Struggle is the father of all things. It is not by the principles of humanity that man lives or is able to preserve himself above the animal world, but solely by means of the most brutal struggle.

#* Hippolytus, Ref. haer. ix. 9 (Fragment 53). Context: "And that the father of all created things is created and uncreated, the made and the maker, we hear him (Heraclitus) saying, 'War is the father and king of all,' etc."

The translator of Homer should above all be penetrated by a sense of four qualities of his author: — that he is eminently rapid; that he is eminently plain and direct both in the evolution of his thought and in the expression of it, that is, both in his syntax and in his words; that he is eminently plain and direct in the substance of his thought, that is, in his matter and ideas; and, finally, that he is eminently noble.

Whoever the priest is, he is called Father.

Why does Homer give us descriptions so much more vivid than all the poets. Because he sees so much more around him. We speak about poetry so abstractly because we all tend to be poor poets. The aesthetic phenomenon is fundamentally simple: if someone simply possesses the capacity to see a living game going on continually and to live all the time surrounded by hordes of ghosts, then the man is a poet; if someone simply feels the urge to change himself and to speak out from other bodies and souls, then that person is a dramatist.

It is enough if Homer but say the sun sets. He is as serene as nature, and we can hardly detect the enthusiasm of the bard. It is as if nature spoke.... Each reader discovers for himself, that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes.

Homer excels in Genius, Virgil in Judgment. Homer as conscious of his great Riches and Fullness entertains the Reader with great Splendor and Magnificent Profusion. Virgil's Dishes are well chosen, and tho not Rich and Numerous, yet serv'd up in great Order and Decency. Homer's Imagination is Strong, Vast and Boundless, an unexhausted Treasure of all kinds of Images; which made his Admirers and Commentators in all Ages affirm, that all sorts of Learning were to be found in his Poems. Virgil's Imagination is not so Capacious, tho' his Ideas are Clear, Noble, and of great Conformity to their Objects. Homer has more of the Poetical Inspiration. His Fire burns with extraordinary Heat and Vehemence, and often breaks out in Flashes, which Surprise, Dazle and Astonish the Reader: Virgil's is a clearer and a chaster Flame, which pleases and delights, but never blazes in that extraordinary and surprising manner. Methinks there is the same Difference between these two great Poets, as there is between their Heros. Homer's Hero, Achilles, is Vehement, Raging and Impetuous. He is always on Fire, and transported with an immoderate and resistless Fury, performs every where Miraculous Atchievements, and like a rapid Torrent overturns all things in his way. Æneas, the Hero of the Latine Poet, is a calm, Sedate Warriour. He do's not want Courage, neither has he any to spare: and the Poet might have allowed him a little more Fire, without overheating him. As for Invention, 'tis evident the Greek Poet has mightily the advantage. Nothing is more Rich and Fertile than Homer's Fancy. He is Full, Abundant, and Diffusive above all others. Virgil on the other hand is rather dry, than fruitful. 'Tis plain the Latin Poet in all his famous Æneis, has very little, if any Design of his own ...

Homer is one of the men of genius who solve that fine problem of art — the finest of all, perhaps — truly to depict humanity by the enlargement of man: that is, to generate the real in the ideal.