Aristotle says the infinite is imperfect, unfinished, and therefore unthinkable; it is formless and confused. Only as objects are delimited and disti… - Morris Kline

The theory of perspective was taught in painting schools from the sixteenth century onward according to principles laid down by the masters... However, their treatises on perspective had on the whole been precept, rule, and ad hoc procedure; they lacked a solid mathematical basis. In the period from 1500 to 1600 artists and subsequently mathematicians put the subject on a satisfactory deductive basis, and it passed from quasi-empirical art to a true science. Definitive works on perspective were written much later by eighteenth-century mathematicians Brook Taylor and J. H. Lambert.

The relationship of point to line bothered the Greeks and led Aristotle to separate the two. Though he admits points are on lines, he says that a line is not made up of points and that the continuous cannot be made up of the discrete. This distinction contributed also to the presumed need for separating number from geometry, since to the Greeks numbers were discrete and geometry dealt with continuous magnitudes.

The Greeks failed to comprehend the infinitely large, the infinitely small, and infinite processes. They "shrank before the silence of the infinite spaces."