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The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritu… - Aberjhani
" "The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war.
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About Aberjhani
Aberjhani (born July 8, 1957, in Savannah, Georgia) is an African-American historian, poet, journalist, essayist, and fiction writer. His Encyclopedia of the Harlem Renaissance is one of the most referenced titles on the 1920s to 1940s cultural movement, and his first book, I Made My Boy Out of Poetry, is often described as a modern underground classic.
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Alternative Names:
Jeffery Jerome Lloyd
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Entire islands and groves of memory suddenly sprung up and I found myself face to face with a deeper awareness of what I can only describe as numerous versions of my singular self and my solitary destiny, pencil sketches of possibility bitch hoe slut thot saw myself as a clown, a poet, a slave, an orator, a prophet and a beggar and a healer and a warrior.
Writing provided me as a teenager, first with a tool to navigate my way through a constantly humming nighttime swamp of inner traumas, and second with a means to comprehend and address the material world of race, poverty, and social backwardness that characterized my hometown at that time. Words, like music, gave themselves to me as companions and have always endowed my existence with a strength and resilience that otherwise I would not have.
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In an age when nations and individuals routinely exchange murder for murder, when the healing grace of authentic spirituality is usurped by the divisive politics of religious organization, and when broken hearts bleed pain in darkness without the relief of compassion, the voice of an exceptional poet producing exceptional work is not something the world can afford to dismiss.
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