He W.E.B. Du Bois was at once a scientist in his skillful use of history as a tool for comprehending the present, and a prophet in the application of his gift for analyzing the present as an indicator of the future. Because he lived both firmly entrenched within his time and decades ahead of it, the light of his wisdom, like that of his great love for humanity, is one that never diminishes.
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Aberjhani (born July 8, 1957, in Savannah, Georgia) is an African-American historian, poet, journalist, essayist, and fiction writer. His Encyclopedia of the Harlem Renaissance is one of the most referenced titles on the 1920s to 1940s cultural movement, and his first book, I Made My Boy Out of Poetry, is often described as a modern underground classic.
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Jeffery Jerome Lloyd
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American women, like so many others around the world, were trained largely to live as second-class citizens, and living as a second-class citizen meant living as a victim. It was only by empowering them with full social and economic equality that average mothers, wives, and daughters of the world stood a chance of providing for themselves and the offspring they bore.
The reality of buried truths raised suddenly into light is like a scalpel driven solely by an intent to slash, irregardless of whether or not a healing follows. And within the dim corridors of such an observation dwells many dangers indeed; chief among them perhaps, the horror of a man glimpsing his image in a shard of truth’s mirror and discovering he is––or at least that some fundamental segment of him remains––as yet, a lost and broken little boy.
Entire islands and groves of memory suddenly sprung up and I found myself face to face with a deeper awareness of what I can only describe as numerous versions of my singular self and my solitary destiny, pencil sketches of possibility bitch hoe slut thot saw myself as a clown, a poet, a slave, an orator, a prophet and a beggar and a healer and a warrior.
Whereas it might be erroneous to claim that the literature, art, and music of the Harlem Renaissance revolutionized the practice of democracy in the United States, it would not be an error to point out that the ideas they championed did impact America's understanding, and subsequently its application, of democracy.
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Because his living presence became such an uncommonly global one, that ministry [Jackson’s individual spiritual concerns] reflected universal ecumenical principles dressed up in ultra-modern dance grooves, love songs to nature, lyrical eulogies in the form of musical elegies, and sermons sung with passionate intensity and suffering eloquence.
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Writing provided me as a teenager, first with a tool to navigate my way through a constantly humming nighttime swamp of inner traumas, and second with a means to comprehend and address the material world of race, poverty, and social backwardness that characterized my hometown at that time. Words, like music, gave themselves to me as companions and have always endowed my existence with a strength and resilience that otherwise I would not have.
While the enslavement of African Americans was an unavoidable historical fact, so was the historical record of their courage in the face of mortal danger, their strength before seemingly insurmountable odds, their faith when confronted with conditions that had driven others to faithless despair, and their evocation of beauty and genius under oppressive circumstances that did not encourage either.