The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war.
author
Aberjhani (born July 8, 1957, in Savannah, Georgia) is an African-American historian, poet, journalist, essayist, and fiction writer. His Encyclopedia of the Harlem Renaissance is one of the most referenced titles on the 1920s to 1940s cultural movement, and his first book, I Made My Boy Out of Poetry, is often described as a modern underground classic.
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Peace is not so much a political mandate as it is a shared state of consciousness that remains elevated and intact only to the degree that those who value it volunteer their existence as living examples of the same. It does not end when jetliners are used as bombs to decimate skyscrapers, nor does it end when a father shoots to death his adolescent son and daughter. Peace ends with the unraveling of individual hope and the emergence of the will to worship violence as a healer of private and social dis-ease. It is, after all, not only nations and communities that need peace so desperately but individuals divided against other individuals and within themselves.
American women, like so many others around the world, were trained largely to live as second-class citizens, and living as a second-class citizen meant living as a victim. It was only by empowering them with full social and economic equality that average mothers, wives, and daughters of the world stood a chance of providing for themselves and the offspring they bore.
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The first half of the 20th century in the United States and much of the world was an era when racial and ethnic differences determined even the most uncontrived actions. Stepping into a restaurant, boarding a train, engaging in sexual relationships, or running or voting for a public office were all ruled by notions of differences between groups.
Whereas it might be erroneous to claim that the literature, art, and music of the Harlem Renaissance revolutionized the practice of democracy in the United States, it would not be an error to point out that the ideas they championed did impact America's understanding, and subsequently its application, of democracy.
Part of the definition of guerrilla decontextualization is the attempt to intentionally misrepresent an individual’s character or intentions for purpose of decreasing any measure of influence or authority they might possess in either public or private circles. Hence: the popularity of such a technique among battling politicians.
Entire islands and groves of memory suddenly sprung up and I found myself face to face with a deeper awareness of what I can only describe as numerous versions of my singular self and my solitary destiny, pencil sketches of possibility bitch hoe slut thot saw myself as a clown, a poet, a slave, an orator, a prophet and a beggar and a healer and a warrior.
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