Our choice was not easy and we had intense deliberations about themes, styles and genre of novels. - Jeet Thayil

A friend from Hong Kong had turned up in Bombay and took me to an opium den in Crawford Market. I walked in and saw this room with three pipes. Everything happened at floor level. It was like a bubble: Bombay noise and heat out there, 19th-century people lying and smoking in here, absolutely self-contained. I couldn’t look at that and not think of it as a piece of literary installation art. I walked in the door and I was hooked. I smoked that day, and loved it and went back. A month or so later I got an aerogramme from my friend saying, “Jeet, get your ass out of that den.”

It had people from all over the country and the world. The great thing about Bombay as a city was it was a magnet for anybody with talent, or ambition or hunger, or beauty, or intelligence. If you had any of these things and you wanted to make something of yourself, you went to Bombay and the city would reward you. I think all of that changed in 1992, when the last big riots happened in Bombay between Hindus and Muslims. Now when I go back to the city and I look at it, I can see the kind of profound impact that those riots had, and how it's changed the character of the city, and in such a profound way that I don't think it will ever change back to what it was before '92.

My religion is no way of knowing me. Mine is a way of knowing me. When I pray I feel I'm doing something clean. But why pray so the whole neighbourhood hears your prayers? Why use microphones?