My life hadn’t fallen apart. I kept my jobs going, I had girlfriends, I had money, I had a house, I had a car, I had all those things. But I got Hepatitis C from injecting government morphine. I started injecting in 1982, but it took 25 years for the symptoms to show. That was a complete wake-up call. As soon as I found out, I quit everything, including my job in New York, and came to India to be a writer. I started working on the book, and lived very cleanly. I even quit drinking for nine years. It wasn’t easy to do. But just knowing that my time was limited was enough. Hepatitis C will eventually turn into liver cancer. Everybody is dying, by the way. The difference is that I know it, and you don’t. We live in that kind of world. And knowing it has focused me and made me do things that I would probably have put off for another ten years.

A friend from Hong Kong had turned up in Bombay and took me to an opium den in Crawford Market. I walked in and saw this room with three pipes. Everything happened at floor level. It was like a bubble: Bombay noise and heat out there, 19th-century people lying and smoking in here, absolutely self-contained. I couldn’t look at that and not think of it as a piece of literary installation art. I walked in the door and I was hooked. I smoked that day, and loved it and went back. A month or so later I got an aerogramme from my friend saying, “Jeet, get your ass out of that den.”

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Because that's where I live, and have lived for a few years now. I wouldn't say in food tastes, for instance, that I'm Indian. I would say I'm Chinese, food-wise. That's the food that I like to eat on a daily basis." It's common for people to be a mix of cultures, rather than having one specific identity.

It had people from all over the country and the world. The great thing about Bombay as a city was it was a magnet for anybody with talent, or ambition or hunger, or beauty, or intelligence. If you had any of these things and you wanted to make something of yourself, you went to Bombay and the city would reward you. I think all of that changed in 1992, when the last big riots happened in Bombay between Hindus and Muslims. Now when I go back to the city and I look at it, I can see the kind of profound impact that those riots had, and how it's changed the character of the city, and in such a profound way that I don't think it will ever change back to what it was before '92.

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He read because it gave him instant gratification in a way nothing else did, and, as was the case with all addicts, gratification was the important thing. He liked history, travel, anthropology, cookbooks (which he read in the same way as other books for pleasure); he liked books with specialized information.

A lot of people misspelt the title of the book and called it Necropolis, but I’m fine with that, because the title is a play on that and it is a city of the dead. Narcopolis is a necropolis. Bombay disappears and a lot of the characters die with it. Throughout the book, opium disappears and heroin arrives and the last few chapters point at the future, to what Bombay will be. You can make an accurate educated guess as to what it will be in the future.

...has won the DSC Prize for South Asian Literature-2013 for his debut novel Narcopolis based on the theme of drug addiction destroying the poor, deranged and marginalised people in Mumbai during 1970s and 80s. He was one of the six shortlisted authors for the DSC prize, was born in Kerala and is also known as a performance poet and musician. He earlier worked as a journalist in New York, Mumbai and Bangalore and his poetry collection.

It would be nice if things changed in the sense that they became more cosmopolitan, more inclusive, wider rather than narrower, with a kind of a view towards the future and a view towards many different kinds of people and people from different cultures living together. Because that's what a city really is about...That's the beauty of a great city. And the sad thing is, there was a time when you thought Bombay had it.

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I’ve spent a lot of time in London over the last few years and I liked the idea of the Mughal emperor Babur meeting with modern-day disaffected youth and talking to them about their actions. He was a sharp literary critic who could be very sweeping and cruel about poetry if he thought it was bad poetry, and he said some fantastic things that I quoted word for word in the opera. I read the Baburnama – the memoirs of Babur – and quoted lines from it. “Writing badly will make you ill.” What a beautiful thing to say. I read that book and I thought, how dramatic! If he had been a figure in western history it would have been an opera. War, murder, love, tragedy, poetry. It always jumped out at me as something worth doing.