Indian writer
Jeet Thayil (born October 13, 1959) is an Indian poet, novelist, librettist and musician. He is most famous as a poet and is the author of four collections. His first novel, Narcopolis, which won the DSC Prize for South Asian Literature, was also shortlisted for the 2012 Man Booker Prize and the Hindu Literary Prize.
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A lot of people misspelt the title of the book and called it Necropolis, but I’m fine with that, because the title is a play on that and it is a city of the dead. Narcopolis is a necropolis. Bombay disappears and a lot of the characters die with it. Throughout the book, opium disappears and heroin arrives and the last few chapters point at the future, to what Bombay will be. You can make an accurate educated guess as to what it will be in the future.
The thing about opium is that it makes you vomit. You cook the original raw sticky pellet against the bowl of the pipe. And for the first three or four months, you puke. But it’s a clean very easy puke, not like alcohol. You could be walking down the street talking to a friend, turn, puke and keep going. But you do that a lot for the first few months. It takes devotion to become an addict to opium and heroin. You have to keep doing it to get through it. I lost a lot of weight. But the payback is huge. It is pure pleasure. There is a reason why opiates are used as a painkiller: they make you feel better. They’re designed to make you feel better.
...has won the DSC Prize for South Asian Literature-2013 for his debut novel Narcopolis based on the theme of drug addiction destroying the poor, deranged and marginalised people in Mumbai during 1970s and 80s. He was one of the six shortlisted authors for the DSC prize, was born in Kerala and is also known as a performance poet and musician. He earlier worked as a journalist in New York, Mumbai and Bangalore and his poetry collection.
A friend from Hong Kong had turned up in Bombay and took me to an opium den in Crawford Market. I walked in and saw this room with three pipes. Everything happened at floor level. It was like a bubble: Bombay noise and heat out there, 19th-century people lying and smoking in here, absolutely self-contained. I couldn’t look at that and not think of it as a piece of literary installation art. I walked in the door and I was hooked. I smoked that day, and loved it and went back. A month or so later I got an aerogramme from my friend saying, “Jeet, get your ass out of that den.”
Because that's where I live, and have lived for a few years now. I wouldn't say in food tastes, for instance, that I'm Indian. I would say I'm Chinese, food-wise. That's the food that I like to eat on a daily basis." It's common for people to be a mix of cultures, rather than having one specific identity.
My life hadn’t fallen apart. I kept my jobs going, I had girlfriends, I had money, I had a house, I had a car, I had all those things. But I got Hepatitis C from injecting government morphine. I started injecting in 1982, but it took 25 years for the symptoms to show. That was a complete wake-up call. As soon as I found out, I quit everything, including my job in New York, and came to India to be a writer. I started working on the book, and lived very cleanly. I even quit drinking for nine years. It wasn’t easy to do. But just knowing that my time was limited was enough. Hepatitis C will eventually turn into liver cancer. Everybody is dying, by the way. The difference is that I know it, and you don’t. We live in that kind of world. And knowing it has focused me and made me do things that I would probably have put off for another ten years.
It had people from all over the country and the world. The great thing about Bombay as a city was it was a magnet for anybody with talent, or ambition or hunger, or beauty, or intelligence. If you had any of these things and you wanted to make something of yourself, you went to Bombay and the city would reward you. I think all of that changed in 1992, when the last big riots happened in Bombay between Hindus and Muslims. Now when I go back to the city and I look at it, I can see the kind of profound impact that those riots had, and how it's changed the character of the city, and in such a profound way that I don't think it will ever change back to what it was before '92.
Indian reviewers don’t read books. They have two days to produce 800 words. They read the prologue and then skim a few pages, then they read all the other reviews. If the first two are negative, you can be sure they will all be negative. If the first two are good, the rest will be good. It’s that low-level, that pathetic. It takes a kind of confidence for a reviewer to have their own opinion about a book. And a lot of people here just don’t care about literary novels.
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