When the sea is calm, the landscape (seascape) seems simple and even monotonous, sometimes with a distant, sometimes with a close coastline, but usually with no land in sight at all. You feel 'free', not only free of care, but also free of the solidity of the earth's crust. It is a wonderful sensation, feeling the liquidity of the water under the ship. This salutary freedom is constantly present, on deck by day, in bed at nights. The movements of the ship vary from a gentle rocking to swinging and hurtling; you are never motionless while at sea. Then you start to observe and assimilate all these natural phenomena surrounding you: the infinite variety of the waves and the swell of the sea, and for the first time in ages you look again at the heavenly bodies, the sun, the moon and the stars, and you see the living creatures in and over the sea, the fish and the birds.
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As one moves out to sea, the world's dimensions change. While things on land grow distant, the sea increases in its expanse, made bluer and wilder; there is a taste of something grand in it. It makes one seem small but also connected to larger forces, part of a great planetary flow. I felt deeply inside the present moment, as if I'd entered a more authentic state of being.
There is something deeply impressive about the night sea as one experiences it from a small vessel far from land. When I stood on the afterdeck on those dark nights, on a tiny man-made island of wood and steel, dimly seeing the great shapes of waves that rolled about us, I think I was conscious as never before that ours is a water world, dominated by the immensity of the sea....
We tend to forget that when we enter the sea, we’re entering a foreign environment. It’s not ours. We can’t breathe underwater. When we enter the sea, it’s a wilderness experience. In any wilderness experience, there are potential dangers to be involved in that environment. Luckily for us, the sea is a pretty benevolent place. Each year, millions of people enter the sea and come out unscratched and unscathed and oblivious to the notion that they’ve had a wilderness experience. But we all need to remember that, especially if we go in areas where large predators such as white shark live.
I will contemplate the spectacle of your sea. The viewpoints of our mountains also offer us the limitless spectacle of immensity. The unfillable void has a calming effect.. .The sea! The sea with its charms saddens me. In its joyful moods, it makes me think of the laughing tiger; in its sad moods it recalls the crocodile’s tears, and in its roaring fury, the caged monster that cannot swallow me up.
I think at sea, it is always about some greater force. The forces of the weather, the sky, the wind, all these uncontrollable things, you really feel the greater force of nature. But at the same time, you are on this massive aircraft carrier that costs about one million dollars a day to run! You really see that tension between the natural world and the force of technology. I think for me, the sublime is always a tension of something that you can’t quite control. It creates these emotions in you that are rare, and that make you aware.
It was the sea that made me begin thinking secretly about love more than anything else; you know, a love worth dying for, or a love that consumes you. To a man locked up in a steel ship all the time, the sea is too much like a woman. Things like her lulls and storms, or her caprice, or the beauty of her breast reflecting the setting sun, are all obvious. More than that, you’re in a ship that mounts the sea and rides her and yet is constantly denied her. It’s the old saw about miles and miles of lovely water and you can’t quench your thirst. Nature surrounds a sailor with all these elements so like a woman and yet he is kept as far as a man can be from her warm, living body. That’s where the problem begins, right there — I’m sure of it.
For when a ship is floating calmly along, the sailors see its motion mirrored in everything outside, while on the other hand they suppose that they are stationary, together with everything on board. In the same way, the motion of the earth can unquestionably produce the impression that the entire universe is rotating.
To get the feeling of what it is like to be a creature of the sea requires the active exercise of the imagination and the temporary abandonment of many human concepts and human yardsticks. For example, time measured by the clock or the calendar means nothing if you are a shore bird or a fish, but the succession of light and darkness and the ebb and the flow of the tides mean the difference between the time to eat and the time to fast, between the time an enemy can find you easily and the time you are relatively safe. We cannot get the full flavor of marine life — cannot project ourselves vicariously into it — unless we make these adjustments in our thinking.
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