What is an emperor? He is a representative of the landlord class, the chieftain of the landlords. What is an empress? She is the chief of the landlor… - Peng Zhen

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What is an emperor? He is a representative of the landlord class, the chieftain of the landlords. What is an empress? She is the chief of the landlords’ wives. To be sure, some working people were portrayed in Peking operas in the past, but most of them were shown in a distorted and unfavourable light. How can we in our socialist society tolerate such a state of affairs with Peking opera — so important a stage art, a stage art with a relatively high artistic level and an important artistic heritage — continuing to portray emperors, kings, generals and ministers, and continuing to stage operas which are detrimental to the socialist revolution and socialist construction? That can’t be!

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About Peng Zhen

Peng Zhen (Chinese: 彭真) (October 12, 1902 – April 26, 1997) was a leading member of the Chinese Communist Party who served as the leader of the party organization in Beijing following the victory of the Communists in the Chinese Civil War in 1949 and later served as the inaugural head of the Central Political and Legal Affairs Commission and chairman of the Standing Committee of the National People's Congress, from 1980 to 1988.

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The contradictions between the proletariat and the bourgeoisie on an international scale, between the socialist countries and the imperialist countries and between the Marxist-Leninists and the modern revisionists all find acute expression in these areas. And so do the contradictions among the imperialist countries.

U.S. imperialism has over-reached itself. It has deployed its armed forces in every continent and ocean of the world; it has committed aggression and tried to suppress the people’s revolution everywhere. With its shortage of troops, its far-flung battle fronts, its remote rear and the dispersion of its forces, it is keeping up its strength in one place at the expense of others, and is unable to attend to everything at once Its position is becoming very passive and strategically it is already receiving blows on all sides.

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Many Peking operas of the past portrayed emperors and kings, generals, ministers, scholars, beauties, lords and dowagers, young gentlemen and ladies; they prettified the exploited classes and denigrated the working people. Very few plays were staged on contemporary revolutionary themes. Over a long period in the past Peking opera in the main served feudalism and capitalism. Many attempts were made to reform Peking opera, and a number of plays were successfully revised, but at the current Festival of Peking Opera on Contemporary Themes we are witnessing for the first time reforms that are so comprehensive and systematic, so rich in content and well received by the broad masses of the people. This is indeed a revolution in Peking opera.

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