Communist parties of the socialist countries should uphold the dictatorship of the proletariat, consolidate and expand the positions of socialism, and carry the socialist revolution through to the end in the political, economic, ideological and cultural fields. Never for a moment must we forget the existence of classes and class struggle, or forget the struggle between the socialist and the capitalist roads. Only thus can we prevent the restoration of capitalism and create the conditions for the transition to communism.
Chinese politician (1902-1997)
Peng Zhen (Chinese: 彭真) (October 12, 1902 – April 26, 1997) was a leading member of the Chinese Communist Party who served as the leader of the party organization in Beijing following the victory of the Communists in the Chinese Civil War in 1949 and later served as the inaugural head of the Central Political and Legal Affairs Commission and chairman of the Standing Committee of the National People's Congress, from 1980 to 1988.
From: Wikiquote (CC BY-SA 4.0)
If we don’t grasp the tasks of class struggle well and of socialist education too, then, it is also possible for revisionism to appear. Speaking frankly, there are quite a few problems in literary and artistic circles, surely no less than in other fields of work. Therefore, it is necessary to launch a rectification campaign and a movement for socialist education and wage the struggle between the two roads of socialism and capitalism on the front of literature and art. We must study Comrade Mao Tse-tung’s works carefully, learn Marxism-Leninism, and maintain a firm proletarian stand.
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We are historical materialists. We are not indiscriminatingly opposed to staging historical plays. When we oppose putting on plays about people of the past, we are opposing those plays about people of the past which laud feudalism or capitalism, which prettify the exploiting classes. As for those historical plays which fortify the will of the people and destroy the arrogance of the exploiting classes, and which benefit the cause of the people, help social development and the revolution, and further socialism — historical plays which tell of the fine traditions of the Chinese people — of course these can be staged. But the emphasis must be on staging contemporary revolutionary plays about the living masses of the people fighting their struggles, about the living proletariat in the midst of its struggles.
It is for revolution that we unite. Unity with revolutionaries is out of the question if one opposes revolution. Making revolution and opposing imperialism is the demand of the broad masses of the people who comprise more than 90 per cent of the world’s population and is the irresistible trend of history. Whoever goes against this aspiration of the people and this trend will inevitably be discarded by history.
From the point of view of our wishes, the best thing would be for them to abandon revisionism, or at least refrain from siding with U.S. imperialism, the common enemy of the people of the world. Indeed we were actuated by this wish when we repeatedly advised and criticized them, hoping that they might turn from their erroneous ways. Unfortunately, they have turned a deaf ear to all this. What can one do if they are happy in their own degeneration? They have insisted on staying outside, the united front of the people of the world against U.S. imperialism and conducting an ardent flirtation with it so that they are like a pair of lovebirds that even clubbing cannot separate. In these circumstances, of course it is impossible for them to really join the Marxist-Leninists and the people of the world in any “united action".
In endeavouring to bolster up the tottering edifice of imperialism, in addition to the direct use of violence, the monopoly capitalists of the imperialist countries invariably rely upon the labour aristocracy as a social prop and life-saver to sap the revolutionary will of the proletariat, to fool and divide the revolutionary people and to resist the proletarian revolutionary storm.
At the present stage, the historical task of the parties of the proletariat in all countries is to unite the revolutionary people of the whole world, unite all the forces that can be united, combat the imperialists and reactionaries, win world peace, national liberation, people’s democracy and socialism, and strive for the gradual achievement of complete victory in the proletarian world revolution and for a new world without imperialism, without capitalism and without the exploitation of man by man.
The contradictions between the proletariat and the bourgeoisie on an international scale, between the socialist countries and the imperialist countries and between the Marxist-Leninists and the modern revisionists all find acute expression in these areas. And so do the contradictions among the imperialist countries.
After World War I, the capitalist system enjoyed a short period of relative stability. Since World War II there has been no such relative stability. The forces of imperialism have been greatly weakened. U.S. imperialism, the main prop of the imperialist system, is also in a state of general decline. The general crisis of capitalism has greatly deepened.
What is an emperor? He is a representative of the landlord class, the chieftain of the landlords. What is an empress? She is the chief of the landlords’ wives. To be sure, some working people were portrayed in Peking operas in the past, but most of them were shown in a distorted and unfavourable light. How can we in our socialist society tolerate such a state of affairs with Peking opera — so important a stage art, a stage art with a relatively high artistic level and an important artistic heritage — continuing to portray emperors, kings, generals and ministers, and continuing to stage operas which are detrimental to the socialist revolution and socialist construction? That can’t be!
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Let us hold aloft the revolutionary banner of Marxism-Leninism and boldly advance in the fight against imperialism, reaction and modern revisionism, for world peace, national liberation, people’s democracy and socialism, for the gradual achievement of complete victory in the proletarian world revolution and for the building of a new world without imperialism, without capitalism and without the exploitation of man by man!
There are many types of plays on contemporary themes. Hollywood is also producing “plays on contemporary themes”; the rubbish the modern revisionists are staging also goes under the name of “plays with contemporary themes”. But what we are staging are plays on contemporary revolutionary themes serving the workers, peasants and soldiers and the socialist revolution and socialist construction.
The historical development of different countries is uneven, and so is the development of their revolutionary movements. While the proletariat in Western Europe and North America is experiencing a new awakening, for various reasons the situation there is not yet ripe for revolution; on the other hand, the people of Asia, Africa and Latin America are holding high the torch of revolution and marching forward.