It was a great happiness to me to see Theo again, and to make the acquaintance of Jo and the little one. Theo's cough was worse than it was when I le… - Vincent van Gogh

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It was a great happiness to me to see Theo again, and to make the acquaintance of Jo and the little one. Theo's cough was worse than it was when I left him two years ago.. .I have a larger picture of the village church [in Auvers-sur-Oise ] - an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.

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About Vincent van Gogh

Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.

Biography information from Wikiquote

Also Known As

Alternative Names: Vincent Willem van Gogh van Gogh Vincent Van Gogh Van Gogh
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More and more it seems to me that the pictures which must be painted to make present-day painting completely itself... are beyond the power of one isolated individual. They will therefore probably be created by groups of men combining together to execute an idea held in common.

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Gauguin interests me very much as a man - very much. For a long time now it has seemed to me that in our nasty profession of painting we are most sorely in need of men with the hands and the stomachs of workmen. More natural tastes - more loving and more charitable temperaments - than the decadent dandies of the Parisian boulevards have. Well, here we are without the slightest doubt in the presence of a virgin creature with savage instincts. With Gauguin blood and sex prevail over ambition.

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