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" "I oscillate between loathing Vladimir Nabokov ’s novels (when I think he’s showing off or insisting on making his presence felt) and loving them. This morning, I can’t stand a word of his fiction. But Nabokov’s “Letters to Vera” is not fiction. The showing off, such as there is, is that of a man to his lover, whose absence is felt. The fact that these are the words—such beautiful words—of a writer to his beloved of more than 46 years readies you for the spirit of sincerity in which they were written. Besides, I’m a sucker for a love story.
Zia Haider Rahman is a British writer of Bangladeshi origin. His debut novel In the Light Of What We Know in 2014 was published to critical acclaim.
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When we encounter a face, we view it as a whole, by a process of integration of the parts, which takes place, as some scientists and physicians understand it, in the optic nerves long before any transmission reaches the brain. The otherwise dizzying abundance of information that hits the retina is distilled in this tract of fibers behind the eye into a sign that our intelligence can absorb. When we see a strip of letters, a billboard slogan, for example, we cannot help but read the word; we do not see each letter separately, but rather, instantly, we grasp the whole word and, moreover, its meaning.
I think of the whole of the city, the people who inhabit its halls, who sleep now and breathe its recycled air and whose activities by day animate this strip of land on the rim of the desert, and I remember — because this thought is always a memory — that they will all one day be gone, that everyone of them will be taken outside and pushed into the sand, that in a hundred years, or two hundred years, to be certain, every human being here, every lover and loser, every captain of industry and every hotel cleaner, every mother and father and every child will be no more and that these buildings will stand, not all of them, but enough will persevere without them. Its a thought that stills me, that brings a moment of calm. And I walk and walk, and amid the concrete, steel and glass, under lights burning brighter than the noonday sun, it is the knot of anxiety, always tightening and turning, for which, above all else, I resent her".
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