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" "My books must be an absolute nightmare to translate. I wouldn't do it. I had a couple of them in Japanese some years ago and my wife met a Japanese woman who said that she had read the books. And she asked her what the translations were like. This woman said they were the worst translation she had ever read in her life. She said she didn't recognise the books when she finally read them in English.
John Banville (born 8 December 1945) is an Irish novelist and journalist. He is recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators. His stated ambition is to give his prose "the kind of denseness and thickness that poetry has".
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The older I get, the more confused I get. I used to think that age would bring wisdom. It doesn't, it just brings confusion. But I find that this confusion is artistically useful. It's a kind of progression, a negative progression. It's moving into areas that you didn't know were there. It becomes more dreamlike all the time. When I was starting out as a novelist, I would have been furious if anyone said to me that novels are dream-like or that they're doing things the novelist didn't know he was doing. Now, I find that it's absolutely true.
A boy in his teens! What did I know about death? This is a problem for Irish writers — our literary forebears are enormous. They stand behind us like Easter Island statues, and we keep trying to measure up to them, leaping towards heights we can't possibly reach. I suppose that's a good thing, but it makes for a painful early life for the writer. Anyway, hunched there over my Aunt Sadie's Remington, I was starting to learn how to write. Now, fifty years later, I'm still learning.