Yes, of course, the silences go on. The first silencing is the inequality of the educational system. We still have a strong class system in this coun… - Tillie Olsen

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Yes, of course, the silences go on. The first silencing is the inequality of the educational system. We still have a strong class system in this country. Look at what's happening with most public schools. Think of the future writers who are being lost all along. Future writers. In Yonnondio, the kids really hate school, and their mom wants them to get a good education, but instead they are turned against it. And as I write in there, "For was it not through books they had been taught that they were dumb, dumb, dumb?" That process is exactly what is happening in the public schools now for many children-- the doing in of bilingual programs, for instance. I'm enraged by charter schools. Every school should be a good school. We are just setting up more educational class systems. The second silencing is the workload so many have to carry, the problem of time.

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About Tillie Olsen

Tillie Lerner Olsen (January 14, 1913–January 1, 2007) was a Jewish American writer who was associated with the political turmoil of the 1930s and the first generation of American feminists.

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Alternative Names: Tillie Lerner Olsen
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The power and the need to create, over and beyond reproduction, is native in both women and men. Where the gifted among women (and men) have remained mute, or have never attained full capacity, it is because of circumstances, inner or outer, which oppose the needs of creation.

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"Silences" was an attempt, as later were "One Out of Twelve," "Rebecca Harding Davis," and now the rest of this book, to expand the too sparse evidence on the relationship between circumstances and creation. (All limited to only one area of recognized human achievement: written literature.)

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