They must know the long journey of the sun on the black mesa, how it rode in the seasons and the years, and they must live according to the sun appea… - N. Scott Momaday

Prairie Hymn:

On the tongue a hymnal of American names,
And the silence of falling snow — Glacier,
Bearpaw, Bitterroot, Wind River, Yellowstone.
I dreamed among the ice caps long ago,
Ranging with the sun on the inward slope,
Down the wheel of seasons and the solstices
To the tilted moon and cradle of the stars.
There was the prairie, always reaching.
Time was sundered, and the light bore wonder.
The earth broke open and I held my breath.
In the far range of vision the prairie shone bright
As brit on the sea, crescive and undulant…

The range of dawn and dusk; the continent lay out
In prairie shades, in a vast carpet of color and light.
In the Sun Dance I was entranced, I drew in the smoke
Of ancient ice and sang of the wide ancestral land.
Rain-laden clouds ringed the horizon, and the hump-backed
Shape sauntered and turned. Mythic deity!
It became the animal representation of the sun, an
In the prairie wind there was summer in the spring.

At first she thought the writing would be easy. She was extremely confident in her ability to dream, to imagine, and she supposed that expressing her dreams in words, in writing, would be entirely natural, like drawing breath. She had read widely from the time she was a child, and she knew how to recognize something that was well written. She admired certain lines and passages so much that she had taken complete possession of them and committed them to memory. She could recite “The Gettysburg Address” and “The Twenty-Third Psalm.” She could recite “Jabberwocky” and Emily Dickinson’s “Further in summer that the birds” and Wallace Stevens’s “Sunday Morning.” She knew by heart the final paragraph of Joyce’s “The Dead,” and if challenged she could say in whole the parts of both Romeo and Juliet. And she knew many Kiowa stories and many long prayers in Navajo. These were not feats of memory in the ordinary sense; it was simply that she attended to these things so closely that they became a part of her most personal experience. She had assumed them, appropriated them to her being.
But to write! She discovered that was something else again.

East of my grandmother's house the sun rises out of the plain. Once in his life a man ought to concentrate his mind upon remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.