I am not sure if there is much difference in music anywhere in the world. The world is a small place now with information technology.

[Is "90 Millas" another crossover -- into World Music?] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?

It's because they want to sound like Americans. I'd like to see them develop our music and sing it their way, but they think sounding American is going to take them higher, but it is not. They have beautiful voices, but they want to sound like Whitney Houston. You can't beat people like that at their own game. And they can't beat me at mine, either!

One day when I was twelve or thirteen, I was hanging out with some friends, and I heard T-Pain for the first time. Immediately, I was like, Oh, man, what's this? This is different from what I'm used to listening to, and I love it. By this time, I wanted something new, so I started listening to more R&B and hip-hop. From there, I started listening to Lil Wayne, Chris Brown, Drake, and all those guys. At the time, I thought country and R&B were totally different worlds, but now that I actually spend most of my life singing and writing and thinking about music, I can see they're kind of similar. Before you say I'm crazy, think about this: In country music, the singers are really soulful, and you can just hear all the emotion on their voices. They mean everything they say. And R&B is the same way. It's like every note, every word, is telling you exactly how the singers feel about what they're singing about. It's just that in country music, all that feeling is usually about a truck, and in R&B, it's more often about a girl. And for me, girls are a lot more fun to sing about than a truck. All joking aside, I feel like all music is the same, when you get down to it. It's about communicating emotion. And that's what I love about it so much. I wouldn't want to spend my life any other way.

I think that my music is very unique and connects both worlds. That's the reason why I named my album Come Closer. I believe in cultural sharing, in the idea of we-belong-altogether. In my opinion, music should have no borders and we should all try to come closer.

Most Western music is people singing from the heart — singing to a girlfriend, so a lot of people are freaked out by our songs [...] But our lyrics are just stories. They’re just written to be as gross and disgusting as we could make them. At night we’d get a case of beer and watch gory horror movies. [...] We just play extreme music so we figured we needed extreme lyrics.

Islam is the best, but we Muslims are not the best. The West is neither corrupted nor degenerate. It is strong, well-educated, and organized. Their schools are better than ours. Their cities are cleaner than ours. The level of respect for human rights in the West is higher, and the care for the poor and less capable is better organized. Westerners are usually responsible and accurate in their words. Instead of hating the West, let us proclaim cooperation instead of confrontation.

We can’t boycott other people’s music because we also go to their countries. Those who say that Nigerians have dominated our industry, it is just their opinion. I also travel to Congo, Tanzania, Nigeria, and so many other countries to perform. It is a form of music exchange but we need to plan for a way to have a fair trade so that our music also gets to be played in their country often. In this era, you can no longer say that you’re going to boycott music from other nations. Even when we do so, it will still infiltrate us through social media platforms whether we like it or not.

Rapping and my style, we're brothers. If you go round now and ask rappers about Shabba, they know me as well as I know them. It's similar. The only difference is that they're using a funky beat. I'm on a reggae beat. I don't use the amount of lyrics that they use but it's definitely rapping.

I probably won’t play a song the same way tomorrow as I play it today. Only a pitchman says the same thing the same way twice, without varying a word. If music is a language, why don’t people use it with the same subtlety, nuance, and facility as they do the spoken language? Probably because they don’t verbalize with the same vocabulary and tone they once did. It has been said that a people’s character is reflected in their music. Our culture is a perfect example. If people here walk around using one-syllable words with no color, no variety, no shading, how can we expect our musical language to be any different? It’s like the emperor’s new clothes – sure they can sit and make wild noises on their synthesizers and call it music – who questions? But ask them to pull up a chair and play ‘Gal in Calico’ or Temptation,’ or even a straight dramatic version of ‘The Star-Spangled Banner’ and they can’t do it. They’re too pretentious. They can’t just play songs.

There is no music that has full meaning for everyone. It's what we have learned from the world: that no one thinks the same thing.

I could do Western vocalisation techniques, but I feel like sparks of Serbian ethno style infused with pop is a good mix.

We've come from the same history - 2000 years of persecution - we've just expressed our sufferings differently. Blacks developed the blues. Jews complained, we just never thought of putting it to music.

The people love our Latin American music. Sometimes they don't understand our lyrics, but they love our rhythms, and that's what's important in Latin American music—in our music from the Caribbean or Brazil or wherever. The percussion is what really makes the music exciting.