The Abrahamic faiths no longer need to impose their beliefs using missionaries or the sword to convert. The WEF’s constellation of devatas of Davos c… - Rajiv Malhotra

“The effect of Pollock’s project on some Hindus is alienation from their roots and the development of an inferiority complex (…) This alienation spreads quickly. Bright young Indians (…) rush to enter the university factories of this nexus and end up spreading the indoctrination to the public.” (p.327)

India's postmodernist scholars who brag about their Western training and connections are encouraged to deconstruct Indian civilization, showing it to be a scourge against the oppressed. The deconstruction of India by Indian thinkers has a destabilizing effect which invites a new kind of colonialism. The most fashionable kind of difference being championed by Indian postmodernists is of the subalterns 'from below', seen as the oppressed underclass. But many of these oppressed minorities have been taken over by global nexuses (churches, Chinese Maoists and Islamists, to name only the major ones) with the result that they are not truly autonomous and independent but satellites serving a new kind of remote-controlled colonialism. Thus, the postmodern posture on difference has had the overall effect of causing native cultural identities to become vulnerable to imperialism – which is exactly the opposite of what the postmodernists claim they want to achieve.

The American poet T.S. Eliot (1888–1965) was one of the few westerners who understood both the potency of Sanskrit and its relationship to dharma. He studied the language at Harvard, where it was an integral part of the philosophical curriculum. Ultimately, he refrained from embracing either Hinduism or Buddhism as a result of his own cultural upbringing and conditioning. Nonetheless, Eliot demonstrated his insight into Sanskrit in his major poem 'The Waste Land' not only by exploring the multiple meanings of the phoneme 'DA' (mentioned above) but by ending his poem with the mantra ' shantih shantih shantih'. He had enough understanding of the claims made for Sanskrit not to attempt to translate this mantra. In her book, T.S. Eliot and Indic Traditions , Cleo Kearns explains that it was the poet's study of the Upanishads and Vedic texts that showed him that breath, sound and silence were at the heart of language. Eliot understood that a mantra's efficacy depends not on its meaning, per se, but on the effect that its correct utterance and accompanying breathing techniques have. While he did not use the term, he could have been speaking of mantra-shakti, or 'mantra-power', when he wrote that language works through 'syllable and rhythm, penetrating far below the conscious level of thought and feeling, invigorating every word; sinking to the most primitive and forgotten, returning to the origin and bringing something back, seeking the beginning and the end. It works through meanings, certainly, or not without meanings in the ordinary sense …'