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" "I’m never afraid when I write. I’m sometimes nervous after my books are published, by which time it’s too late to censor myself. When you write boldly, you get mixed reactions and I assume it will be the same with this novel. Not just because of its content, but because of the way I’ve written it. Much of what we’ve talked about may be overlooked by readers who want more to happen in an African novel, but I don’t write to accommodate their needs. Also, whenever you write about privileged Africans, someone somewhere will be upset with you.
Sefi Atta (born January 1964) is a prize-winning Nigerian-American novelist, short-story writer, playwright and screenwriter. Her books have been translated into many languages, radio plays have been broadcast by the BBC, and her stage plays have been performed internationally. Awards she has received include the 2006 Wole Soyinka Prize for Literature in Africa and the 2009 Noma Award for Publishing in Africa.
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History is very important to my work in that regard and thank you for noticing. I’m no expert on Fanon, but I used the quotation as an epigraph because I found it amusing and apt. The bourgeois phase in the history of a country like Nigeria is indeed completely useless, which is why the novel ends as it begins, with middle-class preoccupations, despite the political changeover that occurs in the story.