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I felt that night, on the stage, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming? (p. 145)

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I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?

Loneliness is such an omnipotent and painful threat to many persons that they have little conception of the positive values of solitude, and even at times are very frightened at the prospect of being alone. Many people suffer from “the fear of finding oneself alone,” remarks André Gide, “and so they don’t find themselves at all.

I thought how terrible it would have been if, as could so easily have happened, I had died without knowing this depth of satisfaction, this other person that I had just discovered within myself. It was worth any price, any consequence.

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...there seemed some necessity of taking all or nothing; it was as if for the remainder of his life he was condemned to carry with him the egos of certain people, early met and early loved, and to be only as complete as they were complete themselves. There was some element of loneliness involved — so easy to be loved — so hard to love.

I think people have to hit rock bottom to really know their faculties because they have to use those faculties to get out of that rock bottom. I really had to feel profoundly lonely to get myself out of the feeling of being profoundly lonely. But it was always there, that feeling of loneliness and existing with the absence of something that had been stripped from me.

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