To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows … - Arundhati Roy

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To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.

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About Arundhati Roy

Arundhati Roy (born 24 November 1961) is an Indian writer and social activist

Biography information from Wikiquote

Also Known As

Alternative Names: Suzanna Arundhati Roy
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She could hear her hair growing. It sounded like something crumbling. A burnt thing crumbling. Coal. Toast. Moths crisped on a light bulb. She remembered reading somewhere that even after people died, their hair and nails kept growing. Like starlight, travelling through the universe long after the stars themselves had died. Like cities. Fizzy, effervescent, simulating the illusion of life while the planet they had plundered died around them.

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Big Dams are to a nation's 'development' what nuclear bombs are to its military arsenal. They're both weapons of mass destruction. They're both weapons governments use to control their own people. Both twentieth-century emblems that mark a point in time when human intelligence has outstripped its own instinct for survival. They're both malignant indications of a civilization turning upon itself. They represent the severing of the link, not just the link -- the understanding-- between human beings and the planet they live on. They scramble the intelligence that connects eggs to hens, milk to cows, food to forests, water to rivers, air to life, and the earth to human existence.

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