I saw that what had appeared to me to be not worth twenty francs when it had been offered to me for twenty francs in the house of ill fame, where it … - Marcel Proust

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Engraved portrait of Marcel Proust, facing left

I saw that what had appeared to me to be not worth twenty francs when it had been offered to me for twenty francs in the house of ill fame, where it was then for me simply a woman desirous of earning twenty francs, might be worth more than a million, more than one's family, more than all the most coveted positions in life if one had begun by imagining her to embody a strange creature, interesting to know, difficult to seize and to hold.

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About Marcel Proust

Valentin Louis Georges Eugène Marcel Proust (10 July 1871 – 18 November 1922) was a French novelist, essayist and critic.

Biography information from Wikiquote · Portrait adapted from Wikimedia Commons, Otto Wegener (Public domain / CC0)

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Alternative Names: Valentin Louis Georges Eugène Marcel Proust Proust Valentin Louis Georges Eugéne Marcel Proust Valentin-Louis-Georges-Eugéne-Marcel Proust Valentin Louis Georges Eugene Marcel Proust Valentin-Louis-Georges-Eugene-Marcel Proust Bernard d'Algouvres Valentin-Louis-Georges-Eugène-Marcel Proust

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Additional quotes by Marcel Proust

Their arrogance protected them against any liking for their fellow-man, against the slightest interest in the strangers sitting all about them, amidst whom M. de Stermaria adopted the manner one has in the buffet-car of a train, grim, hurried, stand-offish, brusque, fastidious and spiteful, surrounded by other passengers whom one has never seen before, whom one will never see again and towards whom the only conceivable way of behaving is to make sure that they keep away from one's cold chicken and stay out of one's chosen corner-seat.

I was merely making more perceptible that binary rhythm which love adopts in all those who have too little confidence in themselves to believe that a woman can ever fall in love with them, and also that they themselves can genuinely fall in love with her. They know themselves well enough to have observed that in the presence of the most divergent types of woman they felt the same hopes, the same agonies, invented the same romances, uttered the same words, and to have realised therefore that their feelings, their actions, bear no close and necessary relation to the woman they love, but pass to one side of her, splash her, encircle her, like the incoming tide breaking against the rocks, and their sense of their own instability increases still further their misgivings that this woman, by whom they so long to be loved, does not love them.

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The name Gilberte passed close by me, evoking all the more forcibly her whom it labelled in that it did not merely refer to her, as one speaks of a man in his absence, but was directly addressed to her; it passed thus close by me, in action, so to speak, with a force that increased with the curve of its trajectory and as it drew near to its target; — carrying in its wake, I could feel, the knowledge, the impression of her to whom it was addressed that belonged not to me but to the friend who called to her, everything that, while she uttered the words, she more or less vividly reviewed, possessed in her memory, of their daily intimacy, of the visits that they paid to each other, of that unknown existence which was all the more inaccessible, all the more painful to me from being, conversely, so familiar, so tractable to this happy girl who let her message brush past me without my being able to penetrate its surface, who flung it on the air with a light-hearted cry: letting float in the atmosphere the delicious attar which that message had distilled, by touching them with precision, from certain invisible points in Mlle. Swann's life, from the evening to come, as it would be, after dinner, at her home, — forming, on its celestial passage through the midst of the children and their nursemaids, a little cloud, exquisitely coloured, like the cloud that, curling over one of Poussin's gardens, reflects minutely, like a cloud in the opera, teeming with chariots and horses, some apparition of the life of the gods; casting, finally, on that ragged grass, at the spot on which she stood [....]

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