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It is requisite to choose the most excellent life; for custom will make it pleasant. Wealth is an infirm anchor, glory is still more infirm; and in a similar manner, the body, dominion, and honour. For all these are imbecile and powerless. What then are powerful anchors. Prudence, magnanimity, fortitude. These no tempest can shake. This is the Law of God, that virtue is the only thing that is strong; and that every thing else is a trifle.

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When talking about Tiny Habits, I use the term Anchor to describe something in your life that is already stable and solid. The concept is pretty simple. If there is a habit you want, find the right Anchor within your current routine to serve as your prompt, your reminder. I selected the term “anchor” because you are attaching your new habit to something solid and reliable.

When the captain throws out his sheet-anchor, and the ship "rides at anchor," as it is called, there is a great strain on every link of that chain; and if one bad link breaks, off goes the anchor, and the ship is driven before the winds, and may be destroyed. Now, our character is very much like the chain; one bad piece vitiates and spoils it. So we must have a pure character.

No need to repeat the blasphemous comments which everyone who had known Gran'pa Comstock made on that last sentence. But it is worth pointing out that the chunk of granite on which it was inscribed weighed close on five tons and was quite certainly put there with the intention, though not the conscious intention, of making sure that Gran'pa Comstock shouldn't get up from underneath it. If you want to know what a dead man's relatives really think of him, a good rough test is the weight of his tombstone.

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The Opera House is a splendid edifice, and I wish to take nothing away from it, but my heart belongs to the Harbour Bridge. It's not as festive, but it is far more dominant – you can see it from every corner of the city, creeping into frame from the oddest angles, like an uncle who wants to get into every snapshot. From a distance it has a kind of gallant restraint, majestic but not assertive, but up close it is all might. It soars above you, so high that you could pass a ten-storey building beneath it, and looks like the heaviest thing on earth. Everything that is in it – the stone blocks in its four towers, the latticework of girders, the metal plates, the six-million rivets (with heads like halved apples) – is the biggest of its type you have ever seen. This is a bridge built by people who have had an Industrial Revolution, people with mountains of coal and ovens in which you could melt down a battleship. The arch alone weighs 30,000 tons. This is a great bridge.

In all the mad incongruity, the turgid stultiloquy of life, I felt, at least, securely anchored to myself. Whatever the vacillations of other people, I thought myself terrifically constant. But now, here I am, dragging a frayed line, and my anchor gone.

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