A long-lived relationship is about so many things. It is such a dense and complex process — always a process — and it's not to be summed up. It's not… - Adrienne Rich

Over many years (I am almost 72) so many poets have touched my imagination and opened paths for me—it hardly makes sense to list them. I have always read a great deal of poetry. Some poets—like Robert Lowell, Denise Levertov, Randall Jarrell, Jean Valentine, Audre Lorde, Hayden Carruth, Jane Cooper, June Jordan, Joy Harjo, Clayton Eshelman—have been my friends, we’ve been comrades in exchanging work and encouraging each other… But I’ve also been powerfully affected by Wallace Stevens, Hart Crane, Muriel Rukeyser, Aimé Césaire, Robert Duncan—poets I met briefly if at all. Baudelaire, Sachs, Celan, Ghalib, Mandelstam…all in translation. This kind of influence isn’t textual, exactly—it’s like having windows open on “what is possible.” And this kind of intensive reading of many poets, and dialogues with a few, seems to me more fertilizing to a poet’s life than immersion in workshops.

I think we're at a very interesting watershed, because I have been seeing and noting a tremendous renaissance of poetry in the United States over the past ten to twenty years nourished by the voices of many groups which had been largely silenced before that-by the voices of women, the voices of people of color, the voices of gay men and lesbians, the voices of working-class, white Americans. There is a seething, burgeoning poetry out there, but it's many poetries, and it's coming from many cultures and many communities.

women cannot become liberated one by one. But individual revolt is not simply futile.